Billy Bain is an emerging artist who explores the medium of clay alongside painting and printmaking to unpack ideologies surrounding Australian masculinity
Jude Rae works in conversation with space and light, playing with the eye of the viewer as her works shift and coalesce between representation and abstraction.
In his new body of works, Drew Pettifer interrogates the beginning of Australia’s queer history.
ARTIST PROFILE speaks to Joanna Braithwaite in her Sydney studio about all that drives and inspires her.
Erin McFadyen discusses the problematics and progressions of the nude in contemporary painting.
‘Portrait Project’ comes at a critical time when we are searching for a way to connect with each other.
This year, the exhibition of Australia’s longest running Indigenous art awards is entirely viewable online.
With hand and thread, Teelah George chisels open apertures between materiality and the immaterial.
Patricia Piccinini divides opinions with her hand-crafted hybrid objects that dissolve notions of pure entities or borders having ever existed.
Walcha artist Angus Nivison discusses painting three portraits of gallerist, collector and benefactor Chandler ‘Channy’ Coventry AM (1924–99).
Madeleine Pfull writes about her painting process – which involves imagining and imaging herself in future form.
Clifford How’s ‘Antipodean Light’ invites viewers on a solitary traverse across Tasmania’s north-western alpine wilds.
There is a strong physical energy that comes through in Neil Frazer’s paintings that reflects not just their creation but also the process behind the...
Lismore-based Wiradjuri artist Karla Dickens has long been involved in green politics. For Dickens it has all been said and no-one is listening – so...
'My studio is far from heavenly, and my practice nowhere near as ministerial, but I still see it as equally divine...'
The task facing the sector is to ensure that what emerges is proactive and aspirational rather than a mirror of our fears and apathy.
Personalities and figures from the counterculture movement of mid-century Italy collide with those from ancient Rome in the work of Damiano Bertoli.
Peter Cole in many ways is a regional artist – albeit one who adopts a universal perspective in his art.
Hoda Afshar is a Melbourne-based artist and scholar whose photographic practice straddles the line between staged image and reality.
Elisabeth Cummings is not a painter with a single signature. Her work is delicately wrought, possessing a palette that sways from pale to bloodied.
The work of Ken Unsworth is often labelled as conceptual. His first public solo exhibit saw him pale, bare and pinioned to the wall in a...
John R Walker's new series 'Fireground' presents a cycle of paintings pivoted on the age-old theme of destruction and rebirth.
