Peter Boggs has honed a visual language that unveils the secret and forgotten aspects of fast diminishing rural urban landscapes...
This year, ‘Here+Now’ is curated by Ngugi artist-scientist Stephanie Beaupark and responds to these themes of decolonisation, place and community.
Amos Gebhardt’s immersive multi-channel video works offer affective moments of exchange between viewer and artwork.
The exhibition ‘Destiny’ surveys an impactful body of work by Australian artist and activist Destiny Deacon.
Simon Finn’s practice has always oscillated between zones of sheer beauty and utter entropy.
A diminutive old man stares into the distance, his expression mildly quizzical, feeble and forlorn. His thin arms are folded behind his back...
At the time of my interview with Gary Carsley, events are unusually upended...
Chris Langlois has been painting dreamy, abstract landscapes for almost thirty years. His canvases reveal the magic of a horizon as the colours and light...
In his new series, Alexander McKenzie continues his enduring engagement with imagined environments.
The Earth Canvas exhibition displays works by contemporary Australian artists, developed in response to regenerative farming.
Painter Julian Meagher is seeking calm with his new exhibition ‘Sleepwalking’ at Edwina Corlette Gallery, Brisbane.
Be prepared to be dazzled by Linda Marrinon. She’s an artist whose work is honest, considered and multi-levelled
Like so many artists creating in the current moment, Brendan Kelly’s new series, ‘Trouble in the Order’, draws on the vicissitudes of 2020.
David Horton, Dale Miles and Stephanie Monteith make a persuasive case for artists following their curiosity irrespective of fashion. T
There’s an intuitive sensibility in the way June Tupicoff has approached her art-making.
In Issue 51, Courtney Kidd previewed Lindy Lee's show 'Moon in a Dew Drop' at the Museum of Contemporary Art Australia.
In Issue 44, we visit the fascinating studio of Melbourne artist Oscar Perry
For thirty years, Lisa Roet’s work has been about primates and the environment we share; about global politics, ignorance, hatred, and personal connection.
‘Now more than ever I want to create a visceral bond, a connection between the viewer and our sublime Australian landscape.’
For the Los Angeles-based Australian artist Anna Carey, architecture and photography serve as partial means to an end...
McLean Edwards’ paintings are a form of portraiture he calls ‘emotional larceny’.
George Gittoes and Hellen Rose have been given the keys to The Surf Shack for stage an interactive exhibition before the shack is demolished.
Sally M Nangala Mulda’s depiction of her biographical truths in paint are a long way from the seductive romance of much regional Aboriginal art
Michael Taylor's expressionist compositions speak of an extraordinary intensity and energy maintained over a long and prolific oeuvre.
Joyce Campbell’s interdisciplinary practice challenges the conventions and limitations of landscape representation.

