Author Archives: Artist Profile
Slow Reveal: The Nude in Australian Art
Paul McGillick has brought together much fascinating, and often relatively unfamiliar material in what is effectively the first study of the nude in Australian art. That nothing of the sort has been attempted before is not as surprising as it may seem, for the erotic vein is not prominent in the history of Australian art—with […]
Issue 70
EDITOR’S NOTE Cover artist Tina Stefanou is leading an undercurrent of artistic actions that are changing lives and the perception of place. Wherever Stefanou chooses to engage, the transformative experience is felt deeply beyond the created works. Stefanou may favour audio and visual media, yet it is the context and the subject that directs her […]
Eva Rothschild | Limits and Liberation
On a workbench sits a scale model of the exhibition space for an upcoming show at PALAS, Sydney. Rothschild looks into the model, then looks up and gestures to works-in-progress for the exhibition resting around the studio. Segments of rebar and jesmonite hang on the walls, and float at eye-and hand-levels in pieces on shelves […]
Tony Tuckson | Energy to the rectangle
It is one of the peculiarities of the art of painting that all the strength and suppleness of movement the painter’s body can bring to the brush is destined to land upon a hard, unyielding rectangle. Imagine the figure of the painter positioned by an easel with brush in hand, a blank canvas perched at […]
Blak Douglas: The Halfway Line
Adam Douglas Hill (AKA Blak Douglas) is an attention-seeking artist. Seemingly on the fringes of the art world but also something of a celebrity whose reach goes well beyond it, his work as an Aboriginal rights activist, educator, musician and occasional host and presenter all feeds into the larger-than-life personality portrayed in the recent biopic […]
Gary Deirmendjian | Provocative Interventions
I met with Gary Deirmendjian in his studio, or one aspect of it at least, at a café in Sydney’s Kings Cross. He is self-described as an “urban animal,” and the streets form a diorama and the source for his creations. Consequently, Deirmendjian’s artistic practice rejects defined parameters, both in terms of medium and its […]
Book Launch: COMMON GROUND by artist Gary Deirmendjian
Gary Deirmendjian, one of the most beloved and widely admired artists in Australia, has a unique talent for seeing the everyday as no one has previously. His sharp, thought-provoking observations, inventions and imagery are now presented in this intelligent and witty book. It consists of a curated selection from over 8 years of his 5,500 […]
Ken Unsworth: Love is the Sweetest Thing
Join artist Ken Unsworth, and curator Brad Buckley, for an In Conversation Panel his exhibition Ken Unsworth: Love is the Sweetest Thing. Thursday 17 April and Tuesday 13 May Time: 1.30pm Location: Macquarie University Art Gallery From the early performances of the 1970s, through the hugely popular suspended stone circles, installations that incorporate a sense […]
Puns Aplenty in Cats & Dogs
With the Museum of Contemporary Art Australia (MCA) in Sydney recently announcing the reintroduction of admission fees from February 2025, there has been a renewed conversation about access to galleries and what shrinking arts funding in this country means for arts audiences. While the MCA’s decision might appear as a cultural watershed moment, publicly funded […]
Simone Arnol and Bernard Singleton washing away the toxins
The colonial spasm that started in the seventeenth century, that saw the world carved up to fuel capitalism and created a socio-political landscape that led to oligarchs taking over the US, is killing the world. When you kill the land the people die, our health relies on a healthy planet yet ours gets more and […]
Jock Clutterbuck Timeless Duration
On his visit to Australia in 1968 the American art critic Clement Greenberg encouraged young artists to “enjoy their diversity”—advice Jock Clutterbuck appreciated. As a student and teacher at the Royal Melbourne Institute of Technology (RMIT) in the sixties and early seventies, Clutterbuck’s visual alignment was tuned to a multicultural modernism acquired from teachers that […]
What is an artist supposed to do with all this?
Here are brief segments pulled from fieldnotes that emerged from the beginning of the first two weeks of my fieldwork in the rural town of Carnamah, on Amangu Country in Western Australia. Picture this: the edge of the Wheatbelt, landscapes strewn with monocrops, salt lakes, and those infinite ribbons of flat road stretching into oblivion. […]
Tina Havelock Stevens
Bathurst has inspired the exhibition yet it’s not an exhibition about Bathurst. My mum grew up there. My grandparents and uncle had a farm there, which I frequented until they all slid off this mortal coil with the last out the gate in 1996. I was one of those ten-year-old kids that knew how to […]
Opacity and revelation | Julie Mehretu
The typical arc of a mid-career retrospective exhibition is that of an artist arriving at a fully formed artistic style. But this major exhibition is not a retrospective and is less about arrivals than about new possibilities and openings. The show attempts something distinct and more interesting than a retrospective as it presents works by […]
The Old Narrative is Dying, and the New Narrative Struggles to be Born
It’s not as though the national attitude toward acts of terrorism was more permissive in the past. Thank you very much, 2006, in which footage of 9/11 was collated with footage of US President George W. Bush expressing gratitude and YOU (also 2006) showing the light infused face of Hezbolah leader Hassan Nasralah’s would have […]
Nick Mount
When viewing the website of glass artist Nick Mount, the visitor will find the usual content headings, with the exception of “About us” which offers something quite out of the ordinary. There is a short bio followed by collections of photographs across six decades, from the 1970s to now. These images are of everyday life, […]
The Woke Paradox
What sets us apart from other creatures is our ability to communicate using a series of vocal symbols. As the distinguish British archaeologist Colin Renfrew has commented, “language is the most remarkable and the most characteristic of all human creations.” What is also remarkable, more often than not, is that these vocal symbols transmogrify over […]
Teo Treloar
Teo Treloar was twenty-six when he decided to apply to Sydney College of the Arts (SCA), the University of Sydney. He graduated with a bachelor of visual arts (first class honours), followed by a master of visual arts in 2006. His experience of education up to that point was awful. Being dyslexic, he struggled with […]
Joseph McGlennon | The Hunt
The Hunt extends the artist’s practice of beautifully composed photographic images evoking colonial perceptions of the Australian landscape into a series that more directly engages with the violence of this history that they both represent and participate in. While McGlennon’s past work has possessed the seething weight of this violence, through gloomy scenes of extinct […]
A darker, clearer sky
The Tank, located in the northern extension of the Art Gallery of NSW, was originally an underground oil reservoir used during the Second World War. It is one of two that were built to fuel the naval fleet at Garden Island. Repurposed now as a gallery space, it is a vast 2,200 square metre underground […]
Jenny Orchard | A new weird, wonderful
An African folktale was told to Jenny Orchard as a child, in which a woman follows an impossibly beautiful man into a forest. Against his warnings to turn back to the village she is transfixed and cannot, she watches in horror as his limbs are replaced by branches and leaves. He slowly transforms into the […]
James Barth: The Clumped Spirit
The Clumped Spirit at UNSW Galleries is a joint project with the IMA in Brisbane, and the third in a series of annual commissions, funded by the Copyright Agency Cultural Fund to support mid-career and established artists. I remember coming across one of Barth’s works in the exhibition Embodied Knowledge: Queensland Contemporary Art at the […]
30th Anniversary of Kibeho Rwanda
I was in Rwanda with a medical unit of Australian Peacekeepers at Kibeho where thousands of internally displaced refugees were crowded together at a Cathedral and school. Some of the girl students had seen the Virgin Mary in visions and the people came there believing they would have her divine protection. The killers slaughtered them […]
Ten Curators in support of Khaled Sabsabi: Edition 10
Beyond Our Selves Once, while in Khaled Sabsabi’s studio discussing ideas and future projects, he asked me if I had heard about the concept of a “seafaring soul,” quoting Lebanese poet and philosopher Kahlil Gibran and his account of the soul’s battle for equilibrium. For Gibran, this analogy of soul-as-ship sees reason as the rudder […]

