Issue 33
| February 25, 2016
In This Issue
In Issue 33 we discover how Joanna Braithwaite juggles humour, politics and her passion for animals in her paintings. David Griggs spoke candidly about his struggle with depression. We follow George Gittoes visit to Julian Assange, his establishment of the Yellow House in Jalalabad: all before he received The Sydney Peace Prize. Drawing you into the Archive, Judith Pugh writes an insightful essay about Clifton Pugh’s practice. Timing in with the Asia Pacific Triennial of Contemporary Art, we give you the break down one of this year’s most exciting events.
ISSUE
Residencies and Reality by Kon Gouriotis
COVER FEATURE
JOANNA BRAITHWAITE by Owen Craven, photography by Tony Lopes
PROFILES
MONICA ROHAN by Lucy Stranger
NUSRA LATIF QURESHI by Elizabeth Gertsarkis
SALVATORE ZOFREA by Steve Lopes
DAVID GRIGGS by Kon Gouriotis
PIPPIN DRYSDALE by Maggie Baxter
KHALED SABSABI by Kon Gouriotis
GEORGE GITTOES DIARIES by Steve Lopes
BROOK ANDREW by Grazia Gunn
PREVIEW
8th Asia Pacific Triennial of Contemporary Art, by Chloe Mandryk
ARCHIVE, Clifton Pugh: Beyond the Tonal Method, by Judith Pugh
Book Reviews
Roger Crawford, by Joe Frost
Process: Dapeng Liu
Process: Vicki White
Process: Todd Hunter
Preview: Alex Gawronski
Preview: Melinda Schawel
Preview: Kevin Connor
View Australia
Discovery: Alison Mackay
The Wama Foundation has nurtured significant momentum for its ambitious NCEA project over the past decade. In 2015 the foundation engaged Jan van Schaik, co-founder...
At his Leichhardt studio, Mason Kimber shows me a cache of photographs taken of a Perth nightclub, owned by Kimber’s father, in the 1980s and...
Through a complex and nuanced investigation of movement and time, the photographic work of U.S. still-and-moving image artist Sam Contis, seductively unfolds across distinct landscapes....
The year 2024 is a special year as Australia somewhat confidently readies for the approaching Olympic Games in Paris. The national society feels it has...
You studied with the Polish born painter, Professor Maximilian Feuerring from 1956 to 1959. Was that at an art school? I was eighteen and I...
Presenting an eighty-year art history of sixteen east Arnhem Land Yolngu clans represented by the Yirrkala Art Centre Buku Larrnggay Mulka, it recalls the Art...
Divided into ten thematic sections, the curatorial brief (according to the NGV’s online publicity) is to place “emphasis on the thoughts and observations of the...
Emily Kame Kngwarreye, Gloria Tamerre Petyarre and Ada Bird Petyarre lead with major paintings that were revolutionary at the time. They are supported by...
A stone I died and rose again; A plant I died and rose an animal; I died an animal and was born a man. Why...