Issue 29

William Kentridge’s Self-Portrait as a Coffee-Pot opens with the artist pacing back and forth against the backdrop of his studio, with remnants of a sketch...

To commemorate fifty years since the invasion, Savvas travelled to Cyprus to video her walk from her mother’s home in Kaimakli, Nicosia, to her father’s...

National museums serve as custodians of collective memory. They preserve, interpret, and present stories that shape a nation’s cultural identity. The National Museum of Australia...

The two-and-a half-kilogram catalogue for the Dangerously Modern exhibition, set inside its pink, gossamer carry bag, is the perfect metaphor for this exhibition at the...

As an Italian immigrant, who came to Australia as a young boy, Zofrea’s understanding and connection with the Australian landscape has been a lifelong journey....

For a short time in the early seventies, boring old Sydney Town had a place to go that fitted Bruce’s vision. After living and successfully...

The Wama Foundation has nurtured significant momentum for its ambitious NCEA project over the past decade. In 2015 the foundation engaged Jan van Schaik, co-founder...

At his Leichhardt studio, Mason Kimber shows me a cache of photographs taken of a Perth nightclub, owned by Kimber’s father, in the 1980s and...

Through a complex and nuanced investigation of movement and time, the photographic work of U.S. still-and-moving image artist Sam Contis, seductively unfolds across distinct landscapes....