Issue 38
It is astonishing today how the narrative of an artist’s work can alter with new conditions. In this issue of Artist Profile it appears differences in narrative are inevitable. Exposure to new places, cultures and histories can often release the unexpected in the artist’s chosen medium.
In Issue 38 of Artist Profile the cover story on John Firth-Smith has a fresh and objective narrative. After 50 years of painting by Firth-Smith we contemplate why his paintings have a crisper tactile quality, an immediacy and how these paintings explore his life and that of Hill End.
ISSUE
Cult of the Curator by Ashley Crawford
COVER FEATURE
JOHN FIRTH-SMITH by Judith Pugh, photography by Stephen Oxenbury
PROFILES
FIONA MCMONAGLE by Lucy Stranger
ZOE YOUNG by Bridget Macleod
ANNA PLATTEN by Fulvia Mantelli
ROBERT BESANKO by Kon Gouriotis
JOE FROST by Georgina Cole
MICAHEL BUZZACOTT by Sonia Legge
DEBRA DAWES by Kon Gouriotis
PREVIEW
Preview: Mami Kataoka’s Biennale of Sydney, by Michael Young
Archive: James Doolin, by Paul McGillick
Project: Mai Nguyen-Long’s Vietnamese residencies
Process: George Tilianakis
Process: Chase Archer
Preview: The National, by Melissa Pesa
View Australia
Discovery: Martin George
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word. The...
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...