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Ten Curators in support of Khaled Sabsabi: Edition 5

Khaled Sabsabi / To hold the multiple lives of truth As an artist with a career spanning over four decades, Khaled Sabsabi has, by faith and by practice, pursued a balance of peace against chaos and the elevation of the human spirit from human hubris. Anchored by his Tasawuf Sufist practice (the mystic branch of […]

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Ten Curators in support of Khaled Sabsabi: Edition 4

It’s surreal. A little over two weeks ago I was invited to a lunch celebrating the announcement of Khaled Sabsabi and Michael Dagostino as the official artistic team to represent Australia at the 2026 Venice Biennale, and was seated next to Khaled himself. The small restaurant was filled with Creative Australia senior officials and supporters, […]

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The Artful Dodger

In mid-February, Tony Burke, Minister for Home Affairs and Minister for the Arts, attended a citizenship blitz he asked his department to arrange, for migrants living in those western Sydney electorates considered to be vulnerable at the impending Federal election. It’s odd for a Minister to be so generous with his time. After all, citizenship […]

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Ten Curators in support of Khaled Sabsabi: Edition 3

To seek a moment of quietude amongst the storm of words we need only to return ourselves to Khaled’s work, any one of his works. I return often to the simple community space of Naqshbandi Greenacre engagement (2011) for which he was awarded the Blake Prize for Religious Art. But I’ve written about that work […]

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Ten Curators in support of Khaled Sabsabi: Edition 1

In full support of Khaled Sabsabi’s work   Khaled Sabsabi’s artistic research stands as a powerful exploration of his Lebanese heritage and the realities of the Middle Eastern diaspora. Like many of his peers, he directly confronts the violent legacy of decades of conflict, refusing to shy away from the complexities it introduces. His research […]

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The 60th Venice Biennale

If the central exhibition at the Venice Biennale is any indication of the direction in which the leading discourses in the art world are headed, then for this critic it seems like there’s little to be looking forward to. The trending shift towards focussing on an artist’s identity over the art itself is cemented with […]

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Angelica Mesiti

A crisp artificial sheen settles on the contours of Angelica Mesiti’s face as she gazes at her laptop screen in a windowless room strewn with cables.

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Venice Biennale

The 59th Venice Biennale, the world’s most prestigious art exhibition, opened this past April with a year’s delay due to the COVID-19 pandemic. The biennale, which includes exhibitions in national pavilions and an all-important central exhibition, takes place across two main locations in Venice: the Giardini della Biennale and the Arsenale, with additional national pavilions […]

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Peter Hill’s Superfictions

In Issue 46, Judith Pugh discusses Peter Hill’s elusive ‘Superfictions’, which exist in the gap between installation art and literary fiction.

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Richard Bell at the Tate Modern

Michael Young chats to Richard Bell about his failed Venice proposal and his forthcoming exhibit at London’s Tate Modern.

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