Issue 16

The two-and-a half-kilogram catalogue for the Dangerously Modern exhibition, set inside its pink, gossamer carry bag, is the perfect metaphor for this exhibition at the...

As an Italian immigrant, who came to Australia as a young boy, Zofrea’s understanding and connection with the Australian landscape has been a lifelong journey....

For a short time in the early seventies, boring old Sydney Town had a place to go that fitted Bruce’s vision. After living and successfully...

The Wama Foundation has nurtured significant momentum for its ambitious NCEA project over the past decade. In 2015 the foundation engaged Jan van Schaik, co-founder...

At his Leichhardt studio, Mason Kimber shows me a cache of photographs taken of a Perth nightclub, owned by Kimber’s father, in the 1980s and...

Through a complex and nuanced investigation of movement and time, the photographic work of U.S. still-and-moving image artist Sam Contis, seductively unfolds across distinct landscapes....

The year 2024 is a special year as Australia somewhat confidently readies for the approaching Olympic Games in Paris. The national society feels it has...

You studied with the Polish born painter, Professor Maximilian Feuerring from 1956 to 1959. Was that at an art school? I was eighteen and I...

Presenting an eighty-year art history of sixteen east Arnhem Land Yolngu clans represented by the Yirrkala Art Centre Buku Larrnggay Mulka, it recalls the Art...