Hoda Afshar wins National Photographic Portrait Prize 2015
With over 2400 submissions this year, winning the National Portrait Prize 2015 is no easy feat.
Melbourne photographer Hoda Afshar has been awarded the National Photographic Portrait Prize 2015 for his stunning Portrait of Ali, 2014. Featuring a portrait of a young Iranian boy in the mountainous terrain of Northern Iran, the selection was unanimous among the judging panel.
National Portrait Gallery Senior Curator Dr Christopher Chapman commented on the strength of narrative by Afshar in the portrait. ‘The photographer has created a compelling portrait of the young boy. The rocky, misty setting creates a sense of mystery, intimating the boy’s future – likely as a shepherd.’
Guest judge, Nikki Toole, added ‘Hoda’s use of composition is a real highlight of the work. It has a beautiful cinematic quality.’
The winning work was selected from a competitive group of 44 finalists, receiving $25,000 in prize for the outstanding photographic portrait. To see the full list of finalists click here.
The Highly Commended award was given to Katherine Williams for her portrait Barry and Alkirra – The Carrington house 2014. Ms Williams received a generous prize provided by Eizo.
The judging panel included Senior Curator Dr Christopher Chapman, Gallery Director Angus Trumble and guest judge photographer Nikki Toole. Selecting from over 2400 submissions, this year marked the greatest number of entries ever received in the prize’s 8 year history.
Opening earlier this week, the National Photographic Portrait Prize exhibition of the 44 finalists is on display at the National Portrait Gallery until 8 June 2015.
Aiming to reach a broad audience, the exhibition will tour extensively in Queensland including venues Artspace Mackay, Cairns Regional Gallery, Bundaberg Regional Art Gallery and Rockhampton Art Gallery.
National Portrait Prize 2015
21 March – 8 June 2015
National Portrait Gallery, Canberra
Image: Hoda Afshar, Portrait of Ali, 2014
Courtesy the artist and the National Portrait Gallery, Canberra



No artist creates in isolation. Every painting carries traces of the conversations, places and histories that shaped it, preserving within its surface a particular moment...
The weekend markets at Fairfield Showground have been one of Western Sydney’s great institutions for more than fifty years. Fresh fruit and vegetables, children’s clothes,...
In recent times, Yorgos Lanthimos has shifted toward photography, noting in a Guardian interview, 2026, that he needs respite, saying, “it might be a couple...
In Australia, political cartoons were altered by several events during the 1960s: the arrival of Les Tanner’s (1927‒2001) instinctual wit at The Bulletin, Bruce Petty’s...
Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...
I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...
Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...