There is a lot to find interesting about Shirin Neshat’s ‘Dreamers’ video installation at the NGV, and yet there is much to be disappointed by.
'Japan Supernatural' showcases more than 180 works from over three centuries of Japanese art. Yet it's reliance on superstar names like Takashi Murakami to pull...
‘Keith Haring | Jean-Michel Basquiat: Crossing Lines’ explores the intersecting lives of two of the most influential artists of the twentieth century.
You’ve heard the phrase ‘own worst enemy’? In this documentary film, you’ll meet the great Australian artist who many say is just that.
Water seeps into the dark hallways of The Lock-up, a heritage listed former police station and lock-up in Newcastle.
Dissonance is part of the dazzle in Nike Savvas’ colourful installation at Te Papa Tongarewa in Wellington, NZ.
Gregory O'Brien's book ''Always Song in the Water' explores the ontological power of the ocean and the role it plays in the lives and imaginations...
Ann Finnegan reviews the book 'Who Runs the Artworld: Money, Power and Ethics'.
Daisy Hamlot’s bold canine paintings bring a wholehearted vibrancy to the CIAF in its tenth year.
Published in 2017, Sally Gray’s 'Friends, Fashion and Fabulousness' presents an account of the effervescent 1970s Australian cocktail of change.
Three of Sydney's major public art institutions showcase a multivalent multitude of new Australian art.
Michael Young previews the ninth edition of QAGOMA’s flagship exhibition series, ‘The Asia-Pacific Triennial of Contemporary Art’ (APT9) ahead of its opening.
‘The 1818 Project' exhibition at Newcastle Art Gallery is a complex and bold experiment.
Singapore’s cultural efflorescence over the past decade has been a source of wonder even to the Singaporeans themselves
Judith Pugh reviews the inaugural Biennale of Australian Art at Ballarat.
In Issue 42, Ted Snell reviews the 2018 Adelaide Biennial of Australian Art, exploring the prismatic approach of Curator Erica Green
Claire Dalgleish reviews the exhibition ‘Indigenous Australia' at Berlin's me Collectors Room
Recently, Impressionism has been the subject of key exhibitions in Australia and overseas.
The 21st Biennale of Sydney unites the work of seventy artists and art collectives from six continents.
Campbell Robertson-Swann and Lauren Harvey, art dealers with a sense of history, have taken over the lease of the ground floor of Mary Place Gallery...
Judith White’s account of Michael Brand’s management of the AGNSW exemplifies the effect of neo-liberalism on a scholarly institution.
What was initially proposed to be an essay of 3000 words has developed into a densely rich monograph of nearly 400 pages, entitled The Samstag...
You don’t have to be an avid follower of Aboriginal art when it comes to the fascinating pull of Ngarra and his life, as told...
Alex Gawronski is an artist, writer, gallery director and educator, best known for his installations. Here, Artist Profile talks to him about some recently exhibited,...
12 portraits tell tales of identity and resilience, the stolen generation, labour exploitation and ecological destruction stories from various ages and genders.
