The internationally renowned artist George Gittoes has no qualms in catapulting himself into dangerous, hyperreal war zones. He has been doing this for the last...

This exhibition, Paris: Impressions of Life 1880 – 1925, examines aspects of Parisian life drawn from the extensive but relatively little-known collection of the Musée...

History and identity are the main themes of this BoS, with a focus on LGBTQIA+ and Indigenous issues as well as climate change, colonisation, the...

Biennials, or biennales, are no mean feat—for curators, artists, host institutions, and audiences. The challenge lies in the delicate dance of marrying a cohesive curatorial...

Nespokojstvo (foreboding uneasiness) is the Serbian word Jelena Telecki offers for the mood underlying the nine works in Mothers, Fathers. It is her debut solo...

Whisson was born in Lilydale, Victoria in 1927 and died in 2022 in Sydney. Finding formal training uninspiring he enrolled in an experimental school at...

Jordan Wolfson first came to the attention of the hermetically sealed New York art world with his work Real Violence, which was shown as part...

It is surprising to think this is the first full length documentary feature on the iconoclastic Kamilaroi, Kooma, Jiman, and Gurang Gurang artist Richard Bell,...

Embraced in the Loving Arms of an Algorithm – v1.1 (ELAAA v1.1), is a stark, but intellectually rich and timely exhibition that claims to be...

Mysteries come in many forms and don’t always issue from the darkness. The light-filled pictorial universe that Cypriot-born, London-educated Andrew Christofides has prospected since the...

Fairy Tales, curated by Amanda Slack-Smith at the Gallery of Modern Art (GOMA), is a remarkable exhibition, featuring over a hundred works assembled from genres...

Hovering, nine metres above me on wiry legs of steely elegance Maman, 1999, Louise Bourgeois’ celebrated spider sculpture, a metaphor for her mother, greets me...

Without fanfare, a small group of works by an important American artist of the twentieth century were given a rare showing in Sydney last month....

Jónsi’s Hrafntinna (Obsidian) and Jean-Luc Moulène and Teams are two of Mona’s three showcase temporary exhibitions. While Jónsi’s installation arouses an emotional and even transcendental...

Of course, no painter is forced to work on a traditional, stretched canvas and in recent years the informality of a sheer piece of material,...

So reads a wall text at the entrance to the Art Gallery of New South Wales’ Kandinsky, serving as a reminder that the artist’s aspiration...

I was sitting on a chair in the Piazza Bar at the Preview of the Melbourne Art Fair (MAF), sipping a Piper-Heidsieck champagne (one of...

In Sydney during December, a solo show in one of the city’s longest-established commercial galleries and a group exhibition in an artist-run space approached the...

When John Wolseley arrived in Australia in 1976, he was already a well-trained and well-established thirty-eight-year-old English painter and printmaker with numerous exhibitions to his...

To reflect appropriately on Heavenly Beings: Icons of the Christian Orthodox World I will apply the disciplines of Eastern Christian Theology, the dual modes of...

Wenders has taken remarkable care in realising this artistic epic. I watched it in 3D glasses at the Sydney Film Festival premiere, the whole time...

If the Powerhouse Museum’s exhibition A Line A Web A World is anything to go by, drawing is a domain to which we still look...

Exhibitions of contemporary art are often slick, and in polished spaces, apparently emptied of elements save for the artworks we have come to see. A...

A Curve is a Broken Line is shaped by testimonials of Iranian-born artist Hoda Afshar, and installed and curated by Isobel Parker Philip at the...