Ollis creates – rather than replicates – visions of the working spaces of a number of significant Australian and European artists in these new works....
But there was distraction. As I went from dramatic image to exhilarating abstract whirls of colour, my eye kept going to two small paintings hanging...
While vessels hold, portals gesture ceaselessly to elsewhere. When we look at any ceramic vessels, we look at an outside, an exoskeleton. Morgan’s glazed exoskeletons...
Ang’s new photobook will be released as part of Melbourne Art Book Fair and Melbourne Design Week, in partnership with the National Gallery of Victoria....
For ‘Tall Tale,’ at STATION Gallery, McGregor traces new conceptual horizons outwards from his established drawing practice, without losing sight of his sustained interests in...
Carriageworks CEO Blair French notes that ARIs ‘run largely on the volunteered time and support of their community but operate at the heart of experimental...
Soda_Jerk's film TERROR NULLIUS looks for the unspoken assumptions about Australian culture embedded in the annals of popular entertainment.
David Horton, Dale Miles and Stephanie Monteith make a persuasive case for artists following their curiosity irrespective of fashion. T
Michael Young looks at the shortcomings of the Sydney Biennale's digital offering during COVID-19.
As an Asian in Australia I have always been aware of the fissures and cracks in the colonial project of White Australia.
What kind of book might an artist and a writer create together, given free reign?
When viewers of Acute Misfortune first catch sight of Daniel Henshall playing artiste maudit, Adam Cullen, they may experience a flash of déjà vu.
There is a lot to find interesting about Shirin Neshat’s ‘Dreamers’ video installation at the NGV, and yet there is much to be disappointed by.
'Japan Supernatural' showcases more than 180 works from over three centuries of Japanese art. Yet it's reliance on superstar names like Takashi Murakami to pull...
‘Keith Haring | Jean-Michel Basquiat: Crossing Lines’ explores the intersecting lives of two of the most influential artists of the twentieth century.
You’ve heard the phrase ‘own worst enemy’? In this documentary film, you’ll meet the great Australian artist who many say is just that.
Water seeps into the dark hallways of The Lock-up, a heritage listed former police station and lock-up in Newcastle.
Dissonance is part of the dazzle in Nike Savvas’ colourful installation at Te Papa Tongarewa in Wellington, NZ.
Gregory O'Brien's book ''Always Song in the Water' explores the ontological power of the ocean and the role it plays in the lives and imaginations...
Ann Finnegan reviews the book 'Who Runs the Artworld: Money, Power and Ethics'.
Daisy Hamlot’s bold canine paintings bring a wholehearted vibrancy to the CIAF in its tenth year.
Published in 2017, Sally Gray’s 'Friends, Fashion and Fabulousness' presents an account of the effervescent 1970s Australian cocktail of change.
Three of Sydney's major public art institutions showcase a multivalent multitude of new Australian art.
Michael Young previews the ninth edition of QAGOMA’s flagship exhibition series, ‘The Asia-Pacific Triennial of Contemporary Art’ (APT9) ahead of its opening.