Anthea Polson Art is moving from its present home of the last 7 years to The Marina Mirage just next door.
Euan Macleod’s ‘Sphinx’, part of a new solo exhibition of 27 paintings, Boneyard, is one of the most profoundly complex and confronting works for our time.
Unpredictability and ambiguity have become the creative drivers of Sarah Contos’ art-making, and Australian Experimental Art Foundation patrons this year should simply expect the unexpected.
Lopes returns to the Italian Islands from which his family hails, exploring the experiences of the immigrants who left and those who chose to stay...
Khaled Sabsabi is going from strength to strength, presented this month with an international award at the Sharjah Biennial.
Whether you are a commuter, shopper, art enthusiast or unlikely art goer, the introduction of Melbourne Central Art Loop is bringing video art to you.
Tasmanian based artist Helen Wright presents 'The Edge of Reason' at Gippsland Gallery, with her playfully dark works causing you to question your own.
From a fortuitous chance glance on instagram, Egg & Dart present Danish artist Marie J. Engelsvold with her first exhibition in Australia.
Joe Frost explores a contemporary dilemma of the increasing prevalence of the 'artist-curator'
Caroline Rannersberger explores the improvisation of the painting process when working on site, and the importance of the direct encounter with the land to her...
An artist who has long been intrigued with mythological creatures, and their presence across several cultures, Geoff Todd presents Beautiful Beasts, opening this Friday night...
An individual whose passion flows between curating and art, we speak to Glenn Barkley about his practice as an artist and his latest show at...
John Beard’s ideas and art practice have been dominated over the last year by his repainting of Théodore Géricault’s ‘The Raft of the Medusa’.
Jan Senbergs has carved out a formidable career, and this March his oeuvre is represented at The Ian Potter Centre: National Gallery of Victoria.
Tony Twigg’s creative output encompasses his own well-travelled blend of sculpture, painting, dance, puppets, film and found objects.
Despite forty years of practise in New York, Virginia Cuppaidge's works express an innate pull towards light and ongoing connection to Australia.
'Magic Object' sees the works of the artists in this year’s Biennial venture into places of wonder, curiosity and enchantment.
From the Biennale Opening Night to talks about the afterlife and ghost telephone, we bring you the highlights of this year's program.
Startling, confronting and incredibly intimate, Dani Marti engages the viewer in new encounters.
Scattered throughout Sydney, these ‘in-between’ spaces are an addition to the main seven venues.
Bold new narratives in Australian and New Zealand contemporary art take the stage in Singapore.
Salvatore Zofrea picks his five favourite works from the AGNSW's Summer exhibition.
The future is already here — it’s just not evenly distributed.
The first time that Kelly’s works have been showcased in such an extensive format, the result is a cohesive understanding of the unyielding practice of...
