Your current exhibition with PICA, Las Hormigas/The Ants, includes work which audiences may have seen presented in different forms in a variety of contexts –...
I spoke with Vipoo Srivilasa about his upcoming exhibition at Olsen Gallery over beloved Zoom. The technology strongly embraced during the pandemic is not the only...
Work for this show has been devised in part while on residency at the Old Cheese Factory in Berwick. How did this space/place shape the...
In an upper corner of the home in which Rose works, a desk is laden – neatly laden – with the objects of her current...
When the Australian colonies began to build their first museums – inaugurated by what is now known as The Lady Franklin Museum at the foot...
In 2015, Park made Garden, a site-specific mixed-media installation which fused an imagined archaeological site with a consideration of the histories embedded in material culture....
The Open Collections Gallery at Canberra Museum and Gallery (CMAG) has been operating since 1999. It functions as a discrete space within CMAG for collectors...
All elections bring forth a tumultuous change in the Australian society, as the old order is thrown out like confetti from a departing ship of...
In 2017, Angus and his wife, artist Liz Linden, decided to leave New York and move to California. “It was a period of consolidation, and...
Can you tell us a little about your work towards the Bluethumb Art Prize-winning photograph, Midas’ Daughter II? It’s funny, but I guess like many artworks,...
I’ve ever wanted more than to write so I do now on a plane as it lurches into the sky through clouds that bump anxiety ...
The Paddington Art Prize, now in its nineteenth year under the leadership of founder Marlene Antico OAM, was established to encourage engagement with landscape as...
Are these strange lands? I recall a forum. Can you guess at me? Here we are embarking. It’s the mountaintop. My taxidermist was unnamed ...
I found the fox in a boxed grave of field – a bale of dandelions, wheatgrass, wild poppy and thistle. If it were possible for...
In his first-floor studio on the fringe of a large industrial estate on Sydney’s Northern Beaches, Indonesian-Australian artist Jumaadi is crouched down in the middle...
James Gleeson’s expansive 1983 monograph on friend and sometimes-collaborator Robert Klippel opens with an except from the young artist’s journal on 23 October, 1945. The...
Your name is everywhere scrawled / tagged / engraved / typewritten on street signs maps stone walls scrolls ...
There was a day in the fourth grade that the first Apple II series computer arrived at our school. With hindsight, the functions were comical...
The 59th Venice Biennale, the world’s most prestigious art exhibition, opened this past April with a year’s delay due to the COVID-19 pandemic. The biennale,...
Plod plod park and bone Intone Drown deeply down Viscous waste uncouth veritable thunderstruck, tree top errr … Corduroy pine ads Oddments Ardent waistcoats Westerly...
Physical labour – especially the stubborn and repetitious kinds, like digging, planting, and painting – has a way of impressing itself down into the musculature of...
The American Southwest, as it exists within the white settler-colonist imagination, is loaded with complex and often contradictory narratives. Its low population density, heat, presumed...
Vicki Stavrou’s new body of work is sleek and sly. It both remembers and re-casts domestic life in mid-century modern style, conjuring a rich and...
Michael Vale’s paintings contain a melange of art historical references and symbols, from pipe-smoking dogs and skeletons, to surreal landscapes.
Seeing and Being Seen, William Yang’s latest project, has had a long gestation. It was first proposed by former Queensland Art Gallery | Gallery of...
