Steve Lopes | The Late Riser
In his latest exhibition, Steve Lopes takes his practice further than ever before. A figurative painter, he presents the figure in the landscape, however this time the brush is turned on himself and his Italian heritage.
The migrant experience is a deeply felt one, for those that have left and those who chose to remain at home. A familiar tale for many Australians, The Late Riser explores Lopes’ own interaction with the emotional world of immigration. In a trip to Italy last year Steve Lopes engaged his practice with this, painting his Italian family as figures within the landscape of their island home.
A figurative painter, the addition of personal ties to his subjects has resulted in a series of telling portrayals. Lopes invites you to encounter the colourful people that make up the landscape. Each portrait in the landscape tells a in-depth narrative that summons the drama and strength of European history paintings.
An exhibition of multiple experiences even the title, The Late Riser is a telling one – is it a characterisation of the sleepy Italian island? Or instead revaling of Lopes’ own sleepy connections to Italy, exaggerated by the time apart and geographical distance by living in Australia.
A poetic exhibition, the figurative works are carefully offset by Lopes’ landscape works of the Italian landscape. Ranging from crumbling cities and ruins to the expansive countryside, it is here that the brush becomes more free and gestural as Lopes reacts to the changing scenery and elements.
Prolific in practice, Lopes guides the viewer through his Italy. By sharing his personal narrative Lopes embeds The Late Riser within a shared migrant history, and speaks to a wider experience that many Australians can relate to.
EXHIBITION
Steve Lopes: The Late Riser
Stella Downer Fine Art
5 – 30 April
Courtesy the artist and Stella Downer Fine Art, Sydney.


No artist creates in isolation. Every painting carries traces of the conversations, places and histories that shaped it, preserving within its surface a particular moment...
The weekend markets at Fairfield Showground have been one of Western Sydney’s great institutions for more than fifty years. Fresh fruit and vegetables, children’s clothes,...
In recent times, Yorgos Lanthimos has shifted toward photography, noting in a Guardian interview, 2026, that he needs respite, saying, “it might be a couple...
In Australia, political cartoons were altered by several events during the 1960s: the arrival of Les Tanner’s (1927‒2001) instinctual wit at The Bulletin, Bruce Petty’s...
Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...
I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...
Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...