Del Kathryn Barton
In recent years, the work of Del Kathryn Barton has captured the attention of the general public. Her inclusion in popular shows, as well as her Archibald Prize success, has elevated her work and given it a heightened level of interest.
This book, which is well-written by Queensland curator Julie Ewington, discusses the deeper motives and process behind the artist and reaches for an understanding of the underlying concerns that drive Barton’s work. The ways in which del Kathryn Barton evokes strange places of her inner worlds, and conjures the myriad forms of anthropoid and animal figures that inhabit her work, are all explored.
Ewington breaks up the text with three major essays that focus on different elements of Barton’s craft, drawings, and family life, posing questions about her motivation for these particular areas of inspiration.
This is the first major text devoted to Barton’s work, published by Piper Press, who continue to contribute to the arts with lavishly produced artist monographs. This is a serious book on the artist’s career, and well worth the time invested in it.
Author: Julie Newington
Publisher: Piper Press
RRP: $69.95
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...