Watson’s mirror (a history of energies), 2021, is  unsettling in its perfection, its unlikely and delicate resolution of opposing categories. The sculpture brings the ‘natural’ and the ‘artificial’  into a disconcerting coalescence: bone and earthy porcelain are overlaid with an intricate network of lace, and bio-organic forms (a human hand, cunicular ears) take on an eerie pallor […]