Tarr may not be a household name but he is an arthouse-hold name, known primarily for his mature, signature works as director—Damnation, 1987, Sátántangó, 1994, Werckmeister Harmonies, 2000, The Man from London, 2007, and The Turin Horse. These works are all black and white, with long takes and a focus on mud, wind, rain, decaying […]