Amber Koroluk-Stephenson’s paintings have always provoked the question of “where are we?,” with liquid boundaries between domestic and exterior domains, patchwork perspectives, and conspicuously constructed mises en scène. Throughout A Hopeful Mirage, however, a heightened emphasis on “where are we going?” emerges. The exhibition is a tragicomic meditation on the psychic inertia of a world in flux. Responding to […]