It’s not as if
I’ve ever wanted
more
than to write
so I do now
on a plane
as it lurches
into the sky
through clouds
that bump
anxiety
into the open –
and I promise
whatever god’s
at hand
to do better –
inhabit my life
and understand
the yawn
and ache
of it.
This poem was originally published in Artist Profile Issue 55, 2021.
National museums serve as custodians of collective memory. They preserve, interpret, and present stories that shape a nation’s cultural identity. The National Museum of Australia...
The two-and-a half-kilogram catalogue for the Dangerously Modern exhibition, set inside its pink, gossamer carry bag, is the perfect metaphor for this exhibition at the...
As an Italian immigrant, who came to Australia as a young boy, Zofrea’s understanding and connection with the Australian landscape has been a lifelong journey....
For a short time in the early seventies, boring old Sydney Town had a place to go that fitted Bruce’s vision. After living and successfully...
The Wama Foundation has nurtured significant momentum for its ambitious NCEA project over the past decade. In 2015 the foundation engaged Jan van Schaik, co-founder...
At his Leichhardt studio, Mason Kimber shows me a cache of photographs taken of a Perth nightclub, owned by Kimber’s father, in the 1980s and...
Through a complex and nuanced investigation of movement and time, the photographic work of U.S. still-and-moving image artist Sam Contis, seductively unfolds across distinct landscapes....
The year 2024 is a special year as Australia somewhat confidently readies for the approaching Olympic Games in Paris. The national society feels it has...
You studied with the Polish born painter, Professor Maximilian Feuerring from 1956 to 1959. Was that at an art school? I was eighteen and I...
