Issue 24
| May 25, 2013
12 industry leaders share their views on the state of Contemporary Art in an exclusive 32-page feature, Judgment Calls. We partner with the inaugural Sydney Contemporary Art Fair at Carriageworks, where our renowned cover artists Kevin Connor and Cressida Campbell were photographed for this special issue of Artist Profile.
Featuring
Kevin Connor
Cressida Campbell
Also Inside
Gregory Hodge
Deborah Paauwe
Alexander Mckenzie
Special Feature
Judgment Calls
Guest Editor Joe Frost
Plus Essays, Reviews, News
Australia in the UK by Anna Madeleine
Robert Clinch
Mark Rodda
Mai Long
Greg Semu
Bruce Armstrong :: John Buckley Gallery
Philip Wolfhagen :: Tasmanian Museum and Art Gallery
Sandra Hill :: Mossenson Galleries
Eleanor Zecchin :: Discovery
The weekend markets at Fairfield Showground have been one of Western Sydney’s great institutions for more than fifty years. Fresh fruit and vegetables, children’s clothes,...
In recent times, Yorgos Lanthimos has shifted toward photography, noting in a Guardian interview, 2026, that he needs respite, saying, “it might be a couple...
In Australia, political cartoons were altered by several events during the 1960s: the arrival of Les Tanner’s (1927‒2001) instinctual wit at The Bulletin, Bruce Petty’s...
Recognition of the importance of early bark paintings and their link to the world’s oldest continuing culture, is what makes them both highly sought and...
I had come to see my daughter sing in Deborah Kelly’s Creation Choir and was fortunate enough to make it inside the gallery for the...
Cuban-born, Brisbane-based artist Jorge Mariño Brito’s practice unfolds across two material registers that are best understood not as parallel tracks but as entwined explorations. Both...
The first work you encounter in Edge City is a gate, Settlement #8, 2025. Not one to pass through (not anymore), but a threshold nonetheless....
Designed to impress, the number and size of paintings—twenty-nine at nine square metres each and one even bigger—are a spectacle, lifting the exhibition from an...
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...