Grace Burzese’s energetic abstract work Cocoon, 2013, layers cobalt blue against wine red and white. The brushwork is gestural. The application of paint to the...
Across George Kennedy’s Skyline Trespass, 2022, something topographical is happening. Shadow and light shift across the picture plane, as if tracing the ridges and gullies...
There is an argument to be made that his work is a by-product of his very remarkable life; or that his paintings exist to support...
Mel O’Callaghan’s new exhibition art Sydney’s Carriageworks is titled with a capacious, and kind of porous, claim: All is Life. The very openness of this...
In an artist’s statement accompanying the exhibition of this body of work at Queenscliff Gallery, Klein writes that the show “addresses a particularly divisive period...
In Girlfriends, 2022, two young women stand shoulder-to-shoulder on a track running through a field of lush vegetation. They gaze directly into the camera. Their even eye...
Throughout her forty years of making art, Suzanne Archer has honoured the death of animals and the natural decay of life through her paintings, sculptures,...
Chiharu Shiota was born in Osaka, Japan in 1972. Her parents came from the rural prefecture Kochi. In the summer they would take Shiota and...
Atem told the Art Gallery of New South Wales, in an interview after she was awarded the La Prairie Art Award, that her photographic practice...
MacNeil moved with her parents to a bush block in the Bega Valley aged six. Having lived and worked overseas throughout her career, she returned...
Curators Louisa Waters and Melanie Caple have chosen “extinction” as the theme for this inaugural iteration of Fragile Earth in response to the particular concerns of local...
At first blush, there seems to be some kind of code to the arrangement of the small paper dots across the canvas of Nicole Ellis’s Confetti, 2006....
Video is what the Poet sees in one of those crypts they keep for art today, sees windswept hills, rubble of a medieval Armenian city,...
In a recent statement, Cassidy described her interest in deep ecological time, as it changes and sculpts the land on which she works. Travelling as...
Boasting more than 450 exhibitions both in Australia and internationally and having had over fifty solo exhibitions, Drysdale is revered as Australia’s most internationally successful...
The exhibition’s title, Land Abounds, hints at the many possibilities that a gathering of this calibre may reveal. I am told by curator Megan Monte...
Bundjalung Country, known as the land of the three rivers, is located across northern New South Wales and southern Queensland, with the boundaries being roughly...
In typical fashion for Yore, the title of this new work makes a whole web of references at once. Prophetic, or even polemical in tone,...
Kalanjay Dhir, Jonathan Kim, Audrey Newton, Luce Nguyễn-Hunt, Nathan Nhan, Angie Pai, Nadia Refaei, EJ Son, and Zoe Wong bring new and recent works to...
& i can’t help but notice his hips first, bumbag slung low, as the train doors open at Roxburgh Park. & i take in the...
Antoinette LaFarge’s Sting in the Tale: Art, Hoax, and Provocation is a thought-provoking analysis into the realms of fictive art. LaFarge uses “parafact” for fiction...
Grace Cossington Smith Gallery is located at Abbotsleigh School, an institution historically grounded in particular kinds of knowledge, and ways of passing on that knowledge....
Nicola Mason left her former profession in conservation and land care in mid-2016, to focus full-time on her artmaking. A local to Wiradjuri Country in...
“Queer” is a complex and fluid term. Historically it meant “strange” or “peculiar,” but from the late nineteenth century it came to be used as...
Our practice plays with the changing nature of cultural capital by pitting the sacredness and precariousness of the “live” in performance against ways of commodifying...
