Curators Louisa Waters and Melanie Caple have chosen “extinction” as the theme for this inaugural iteration of Fragile Earth in response to the particular concerns of local...
At first blush, there seems to be some kind of code to the arrangement of the small paper dots across the canvas of Nicole Ellis’s Confetti, 2006....
Video is what the Poet sees in one of those crypts they keep for art today, sees windswept hills, rubble of a medieval Armenian city,...
In a recent statement, Cassidy described her interest in deep ecological time, as it changes and sculpts the land on which she works. Travelling as...
Boasting more than 450 exhibitions both in Australia and internationally and having had over fifty solo exhibitions, Drysdale is revered as Australia’s most internationally successful...
The exhibition’s title, Land Abounds, hints at the many possibilities that a gathering of this calibre may reveal. I am told by curator Megan Monte...
Bundjalung Country, known as the land of the three rivers, is located across northern New South Wales and southern Queensland, with the boundaries being roughly...
In typical fashion for Yore, the title of this new work makes a whole web of references at once. Prophetic, or even polemical in tone,...
Kalanjay Dhir, Jonathan Kim, Audrey Newton, Luce Nguyễn-Hunt, Nathan Nhan, Angie Pai, Nadia Refaei, EJ Son, and Zoe Wong bring new and recent works to...
& i can’t help but notice his hips first, bumbag slung low, as the train doors open at Roxburgh Park. & i take in the...
Antoinette LaFarge’s Sting in the Tale: Art, Hoax, and Provocation is a thought-provoking analysis into the realms of fictive art. LaFarge uses “parafact” for fiction...
Grace Cossington Smith Gallery is located at Abbotsleigh School, an institution historically grounded in particular kinds of knowledge, and ways of passing on that knowledge....
Nicola Mason left her former profession in conservation and land care in mid-2016, to focus full-time on her artmaking. A local to Wiradjuri Country in...
“Queer” is a complex and fluid term. Historically it meant “strange” or “peculiar,” but from the late nineteenth century it came to be used as...
Our practice plays with the changing nature of cultural capital by pitting the sacredness and precariousness of the “live” in performance against ways of commodifying...
Johnson’s engagement with her influences – abstract expressionism, post-impressionism, early modernism, Monet, Clyfford Still – is ambivalent, and yet unburdened with the irony that characterises a...
Three and a half hours from Sydney via the Blue Mountains, Kandos was built in the early twentieth century to support the NSW Cement, Lime...
In some senses, Alicia Mozqueira’s latest body of work speaks the language of still life: its visual vocabulary is full of darkness as a quality...
Comprising sixty-eight works by four artists in the heights of their careers, New Australian Printmaking encapsulates senses of both resolution and revolution. Revolving, the show explores a...
Two unique prints by Belinda Fox – printed with Trent Walter – have been generously made available to Artist Profile readers at AUD $1500, with 100% of the...
That the figure in Melitta Perry’s Birdwatching (Regent Honeyeaters), 2022, has her back turned to the viewer is emblematic of the artist’s approach to narrative. It’s emblematic,...
This presentation of the work itself is a re-imagination – or, a rebirth – of Nkiru’s original version of the film. Back in 2017, Nkiru...
Surf culture is not likely to be the first thing you think of when you think of Melbourne’s art world. Perhaps this is precisely the...
“We live in an overly anaesthetised society. A society that teaches us to fear pain, to fear complexity, to fear the messiness of internal spaces,”...
When you enter The Illawarra Pavilion at Wollongong Art Gallery, the experience is immediately tranquil. As one of the gallery staff enters a moment after...
