With a career spanning over seven decades, Helen Maudsley knows a thing or two about painting.
In Issue 40, Lucy Stranger chatted to Jelle van den Berg about his colourful, collaborative practice.
Janet Clayton Gallery’s two final exhibitions feature the work of Heather Ellyard and Hanna Kay.
The extraordinary oeuvre of the late Sally Gabori (c.1924–2015) is a rare portal into Australia’s pre-colonial history.
In Issue 42, Bridget Macleod spoke to Franck Gohier as he prepared for his exhibition at the Museum and Art Gallery of the Northern Territory....
Lara Merrett chats to Artist Profile about expanding paining beyond the confines of the canvas for the 2018 Bella Room Commission
In Issue 42, Ted Snell reviews the 2018 Adelaide Biennial of Australian Art, exploring the prismatic approach of Curator Erica Green
Paul White’s latest series of works on paper forms a snapshot of the Australian outback.
In the group exhibition ‘The Castle’, three artists explore cross-generational ideas of home.
Emerging Melbourne photographer James Bugg takes home the $50,000 2018 Moran Contemporary Photographic Prize (MCPP).
‘Untitled’ is a joint exhibition between Andy Quilty and a long-term inmate at a West Australian prison.
Ten contemporary artists and collectives reimagine historic paintings from Bendigo Art Gallery’s collection.
Artist Profile chats to sculptor Laurence Edwards about his formal and conceptual approaches to bronze.
George Shaw writes about the poetry of Shoufay Derz's latest series 'In Memory of Water'.
The expressive clay cameras of legally blind artist Alan Constable are not without irony.
Issue 38 'Discovery' artist, Martin George, talks about his creative process, materiality, gesture and the relationship between decoration and expression.
Artist Profile chats to curator Sophia Cai about the ideas driving 'Disobedient Daughters'.
Recently, Impressionism has been the subject of key exhibitions in Australia and overseas.
The 21st Biennale of Sydney unites the work of seventy artists and art collectives from six continents.
In 'No Barrier to Entry', Catherine O’Donnell’s Sydney Fibros converse with the architecture of Chicago.
Fifteen artists conjure a vision of suburbia for the inaugural show at Cement Fondu, Sydney's newest art space.
Melbourne artist Julia Ritson creates gridded compositions that articulate a multitude of images.
Contemporary Chinese artist Zhu Peihong presents his first Australian solo exhibition.
A collaboration between Clayton Utz and 3:33 Art Projects creates unique new platform for Australian artists.
Owen Craven writes about Melbourne-based artist Alice Wormald's rigorous, layered approach to painting.