In Issue 44, Sydney artist Jack Dunbar spoke about his diverse ‘day-to-day’ inside and outside the studio.
In his second solo exhibition, Brisbane-based artist David Hayes focuses his paintbrush on the human experience in our rapidly shrinking global village.
There is something both humorous and unnerving in Graeme Drendel’s work, a tension between the familiar and the absurd.
Shaun Hayes investigates the relationship between throwaway objects and their ability to invoke memories.
Aida Tomescu’s practice, honed over forty years, is compelled by the artist's devotion to teasing out an idea over time.
Lottie Consalvo’s practice traverses painting, sculpture, performance, video and photography.
Sonia Payes' 'Woman in Bronze' explores creation, destruction, and transformation through a contemporary lens of growing environmental angst.
Annandale Galleries Director Bill Gregory met Goldblatt in 1995 in Johanesburg, where the artist took him out for a day out on ‘the reef’ –...
Sydney Contemporary, for the past four years, has been a microcosmic study of the Australian art market: its symbiotic relationship with international markets and its...
A survey of Archer's work at Campbelltown Arts Centre explores the decades-long practice of an artist committed to exploring the macabre, and even the morbid,...
When visitors step in beneath the half-raised metal-shuttered doors, they are met with a cross between a heavy-metal workshop and a computer lab ringed with...
With their white carapaces forming a protective border against potential threat, the two figures in Christopher Langton’s sculptural installation Colony could be stand-ins for these...
Sally Anderson speaks about how the deeply autobiographical, the metaphorical and the observed intertwine in her painting practice.
There is a revolutionary mood in Savanhdary Vongpoothorn’s new paintings. This Lao-Australian artist returned to the Mekong River to learn from its histories and sacred...
This year, Yolŋu artist Djambawa Marawili AM is the winner of the Telstra Art Award for his piece Journey To America (2018). Made of natural...
‘Paper Tigers: Posters From Sydney’s Long 70s’ is a celebration of Sydney’s dynamic poster art and public protest movements from the late 1960s to early...
Over twenty-five years, South Australian artist Louise Haselton has established a largely sculptural practice in which no material is off-limits
Minky Opens A Gallery is a satirical take on the Sydney art establishment, submersing the audience into the alternatively glitzy and sordid world of art...
Artist Profile presents new work by Chinese-Australian artist Guo Jian at Sydney Contemporary 2019.
'Monet: Impression, Sunrise' at the NGA brings together works from the impressionist master and other artists to examine the founding of an art movement.
John McDonald writes about the life and work of Barbara McKay ahead of her retrospective at New England Regional Gallery.
Michelangelo Russo's new series is the patient result of a year-long process of refinement.
Jo Bertini applies her deep knowledge of the Australian desert to the desert terrain of Abiquiú in Northern New Mexico.
Stefan Dunlop's artworks enigmatically turn the elements of visual design on their head.
