A group show at Newcastle’s Lock-Up examines the lightness and the longing of love.
Anthea Polson Art surveys Everton's photographic practice of post-colonial storytelling.
‘Elemental’ is a series of mokulito prints. Why did you choose this method? Mokulito is very new and experimental, and I really enjoy this form...
The whimsical earthenware sculptures of Lynda Draper create a beguiling space where visuality mingles with tactility.
Peter Day’s multi-disciplinary practice observes a place somewhere between the technological and the terrestrial.
In Issue 47, Ian Were writes a tribute piece about the contagious incandescence and vitality of his late partner, artist Debra Porch (1954–2017).
The NGV showcases a father and daughter working over the advent of Modernism in Australia.
Kawita Vatanajyankur's work explores the burdens of hard physical labour expected of women in traditional Thai society.
Heather Shimmen weaves the historical and the utopian together in a mythic landscape of the mind.
Jennifer Joseph’s work is the emotively charged product of a life lived at full, nocturnal, intensity.
Joe Frost gives his paintings a kind of autonomy; they want to be or become things that are partially obscure to him.
Tim McMonagle intimately confronts both the fragile and robust nature of life. Artist Profile spoke to McMonagle in his Melbourne studio for Issue 46.
Tenderness is at the centre of the portraiture and landscape works in Bill Henson’s solo show at Roslyn Oxley9 Gallery.
Examining the fault lines at the juncture between art and nature, Philippa Nikulinsky’s decades-long practice is shown in its full nuance and plurality at Lawrence...
Kim Guthrie’s solo exhibition at USC Gallery, 'River’s Edge', interrogates relationships between people and place.
Adelaide-based artist Joseph Haxan chats about suburbia, the Occult, Photoshop and the flimsy border between 'Humanity' and 'Nature'.
Michael Young chats to Richard Bell about his failed Venice proposal and his forthcoming exhibit at London's Tate Modern.
In his new series of works, presented at Fireworks Gallery, Scott Redford voices his ongoing ruminations about the misgivings of ‘contemporary art’.
The Australian Centre for Contemporary Art (ACCA) hosts the first major survey of the work of Tom Nicholson, an influential Australian artist whose socially engaged...
Sam Holt chats about his latest series of visceral paintings and sculptures.
London-born Andrew Antoniou is an artist and teacher whose drawing practice examines the theatrical incongruities, and ambiguities, of human experience.
‘Eyes on Australia’ in North Carolina builds a showing of our statehood through lenses of femininity and cultural diversity.
Ildiko Kovacs’ beautifully resolved abstractions are the work of an artist fully in control of her craft, yet willing always to take the risks needed...
A mid-career survey of the work of Arlo Mountford that is playful, critical, disillusioned and optimistic.
A group of artists who confound outmoded expectations about China, reflecting unflinchingly on the most uncomfortable truths of our age.