Zhu Peihong
Harvey Galleries presents the first Australian solo exhibition of paintings by contemporary Chinese artist Zhu Peihong.
Ciphering inspiration from his home city of Beijing, Peihong creates abstracted acrylic landscapes reflecting the dynamism of urban infrastructure. His ‘My Space’ series began with doodles of dead leaves and power lines, which gradually became abstracted until reaching, in the artist’s own words, a ‘simpler and purer’ reality. The stark, vibrant palette of the paintings reflects the optical saturation of the world’s most populous capital city, peppered with neon lights, cars, advertisements and buildings. In a quest for balance, Peihong distils this over-stimulating menagerie into nebulous blocks of colour that evoke psychedelic aerial views of the city. This is refracted in his painting process, which involves lying the canvas on a table and working from above, allowing the pools of acrylic to dry at their own will. Leaving areas of the whitewashed canvas blank, the artist ties shapes together with looped ‘threads’ to create a holistic, interconnected space, much like the modern, globalised city.
EXHIBITION
Zhu Peihong | My Space
9 – 29 March, 2018
Harvey Galleries, Mosman


Australian art history still holds many gaps. The life and work of John Joseph Wardell Power (1881–1943) is one of them. Curated by Ann Stephen,...
Mitch Cairns: Restless Legs was commissioned for the Contemporary Projects series at the Art Gallery of New South Wales in Sydney, where it was first...
Pulse, the title of his current exhibition at Utopia Art Sydney, alludes to the rhythmic equilibrium of parts that has long characterised his work. As...
Visiting Venice in late June, once the champagne flutes have emptied and the holders of “professional” badges have flown home, offers a different kind of...
The curator Con Gerakaris’s considered arrangement of diverse works conjures the distinctive cultural and physical topographies of Asia. Entering A Tear in the Fabric, the...
Walking into Anna Johnson’s studio is like passing through a portal into another world: a flight of rickety wooden stairs leads to the top floor...
After winning the Fishers Ghost Open Art Award last year for her epic video installation Margaret and the Grey Mare, 2023, opportunities across the theatre,...
Co-curators and longtime friends Helen Hyatt-Johnston, Brad Buckley, and Noel Thurgate and Gallery Curator Lizzy Galloway, selected the Buddha from Harpur’s extensive collection of Ch’an...
William Kentridge’s Self-Portrait as a Coffee-Pot opens with the artist pacing back and forth against the backdrop of his studio, with remnants of a sketch...