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Aaron Fell-Fracasso

This playful approach is designed to keep a viewer interested, and he’s eager to throw them off the scent of how a work was made. As he states, “If I look at someone’s painting, I’m always trying to work out how they have created the mark, and when I’m making a work, I’m imagining someone […]

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Peter Hill’s Top Ten Picks from Sydney Contemporary 2022

Peter Schjeldahl, the great American art critic for The Village Voice, and now The New Yorker, once described the visceral experience of viewing the astonishing late works of Willem de Kooning at the Metropolitan. “The effect was like a plane taking off, when the acceleration presses you against the seat. The painting’s violent intelligence detonated […]

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