REVIEW: Yolngu Power, the art of Yirrkala
Presenting an eighty-year art history of sixteen east Arnhem Land Yolngu clans represented by the Yirrkala Art Centre Buku Larrnggay Mulka, it recalls the Art Gallery of New South Wales’s Crossing Country that some twenty years ago traced a nearly 100-year history of west Arnhem Land art. This historical format pushes against the usual focus […]
Sydney Ball
One of Australia’s most respected artists, Syd Ball has been developing colour painting since the early 1960s when he set off to Manhattan to study under abstract expressionist painter Theodoros Stamos. His work, executed in series, has variously explored colour through modular arrangements, expressionism and structural form, with a tendency to revisit the modular as […]
Kyra Mancktelow: Gubba Up
In a broadcast given for the 2021 churchie emerging art prize, where she was a Special Commendation winner, Mancktelow reflected on the absence on First Nations histories in her own schooling in this country. Here, she stated that “I’m putting this art in the world for people to view, and see, and have an understanding […]
Fiona Foley
Fiona Foley is an artist from the Wondunna clan of the Badtjala nation, whose acclaimed arts practice has been widely exhibited across Australia and internationally for over thirty years. Now a distinguished academic at Griffith University, her latest book Biting the Clouds (2020) weaves rigorous research with art to examine legacies of harmful legislation, disrupting […]
No Show
Carriageworks CEO Blair French notes that ARIs ‘run largely on the volunteered time and support of their community but operate at the heart of experimental and critical practice.’ Precisely this dynamic, in which artists labour, imagine, and build communities without guarantee of financial security for their efforts — and are yet venerated as crucibles of […]
Issue 52
This issue’s cover artist Steve Lopes is important amongst those artists presently involved in a representation of humanity. Asserting that a realistic depiction of humanity must be physical and psychological, Lopes locates beauty in the uncomfortable, away from the theoretical, to provide room for emotion. An important development in his work is to balance opposing concepts: love and hate, freedom and conformity, so that the viewer engages both intellectually and instinctively
Issue 51
Unavoidably, throughout this fifty-first issue of Artist Profile – which celebrates on the cover the revered painter Prudence Flint – there are many stories tracing the impact of COVID-19 on artists’ lives and work. We also consider what our public and private institutions are doing – or perhaps not doing – during this time. Ted Snell’s article Setting a course: art museums and COVID-19 proposes a new horizon from the pandemic.
Issue 50
<span data-mce-type=”bookmark” style=”display: inline-block; width: 0px; overflow: hidden; line-height: 0;” class=”mce_SELRES_start”></span><span data-mce-type=”bookmark” style=”display: inline-block; width: 0px; overflow: hidden; line-height: 0;” class=”mce_SELRES_start”></span> EDITOR’S NOTE No one who saw Claire Healy and Sean Cordeiro’s Life Span installation in The Ludoteca Castello, Venice, for La Biennale di Venezia, in 2009 has ever forgotten it: a huge black rectangular […]
Issue 49
It may be tempting to situate this issue of Artist Profile within a feminist framework, adding to the growing discourse surrounding gender inequality within the arts. Indeed, the trope of the male genius suffuses the canon of Western art like a lurid light that has too-often relegated female practitioners to the shadows.
Issue 46
EDITOR’S NOTE Little over a year ago Angelica Mesiti achieved what most Australian artists desire: to be selected as Australia’s sole representative at the Venice Biennale. As this issue’s cover artist, only months before its May presentation in the Australia Pavilion, Mesiti spoke to Elli Walsh about her journey to the 58th Biennale di […]
Issue 45
Issue 45 of Artist Profile has reminded me of the value of independence, of the magazine and of its writers. The diversity of approaches and ideas, not only of the artists interviewed and reviewed, but of our contributors, makes me acutely aware that it is difference that binds us. Each article, independent and unpredictable, reflects the […]
Issue 44 Hits the Stands!
The response to Artist Profile over time has shown that getting behind artists and their art matters to you as it does to us. To ensure we’re evolving with you and the ever changing artistic landscape of Australasia, the magazine has embarked on some exciting changes. After ten years with nextmedia, Artist Profile has changed […]
Issue 43
Issue 43 from Artist Profile on Vimeo. EDITOR’S NOTE ‘JUST LET IT GO’ ASKS THIS ISSUE’S cover artist, Raquel Ormella, in the wonderful embroidery above. Like most of Ormella’s works it has a suspenseful relativism which charms us. Ormella’s strength is to set aside her own biases so as to place views, as well as […]
Issue 42
Issue 42 from Artist Profile on Vimeo EDITOR’S NOTE MANY OF THE ARTICLES IN THIS issue are concerned with the evolving nature of artists’ practices and the cycle of curatorial presentations. The daily uncertainty of making art is matched by the need for an audience to receive their art. ‘Everyone likes to remember the […]
Issue 43 Hits the Stands!
‘JUST LET IT GO’ ASKS THIS ISSUE’S cover artist, Raquel Ormella, in the wonderful embroidery above. Like most of Ormella’s works it has a suspenseful relativism which charms us. Ormella’s strength is to set aside her own biases so as to place views, as well as actions, in their contexts. The phrase illustrated here […]
Issue 42 hits the stands!
“There is no such thing as an error, nothing is a mistake” declares Issue 42 cover artist Dale Frank.
IMAGINE
The new Gippsland Art Gallery’s inaugural show ‘Imagine’ filters earth’s history through the human imagination.
Joshua Yeldham | Endurance: Two Rivers
Joshua Yeldham takes viewers on a poetic odyssey of cultural, historical and personal significance.
Tom Carment | New paintings – old habits
During a typical week Tom Carment might journey around the city of Sydney to make watercolours, visit a friend to paint their portrait, or draw in the streets with a pencil and sketchbook.
Australasian Painters 2007 – 2017
Open until 10 September, head to Orange to see a major survey of over 140 contemporary Australasian painters and their paintings.
Biennale of Sydney
We chat to Artistic Director Juliana Engberg about her inspirations, ideas and what to expect from this year’s event.
Judgment Calls
Edited excerpts from proceedings of the Forum, including some unpublished comments, these five videos illuminate the ideas that arose on the day. See the personalities, opinions and interactions that made the Judgment Calls Forum.
Insight Radical: where art meets science
Throughout 2012, six artists – Tony Lloyd, Steve Lopes, Anna Madeleine, Natalie O’Connor, Peter Sharp and Ruth Waller – took part in a residency program, Insight Radical, which saw each of them spend time with a group of scientists all working on and developing research around free radicals. The scientists worked with the artists, giving demonstrations of their experiments and discussing the ‘real world’ impact of their research.
2 Danks Street Award for Art Criticism
What ever happened to art criticism? The 2 Danks Street Gallery precinct have announced an exciting new initiative targeted at budding arts writers to foster the importance of good writing and constructive criticism