Issue 38
It is astonishing today how the narrative of an artist’s work can alter with new conditions. In this issue of Artist Profile it appears differences in narrative are inevitable. Exposure to new places, cultures and histories can often release the unexpected in the artist’s chosen medium.
In Issue 38 of Artist Profile the cover story on John Firth-Smith has a fresh and objective narrative. After 50 years of painting by Firth-Smith we contemplate why his paintings have a crisper tactile quality, an immediacy and how these paintings explore his life and that of Hill End.
ISSUE
Cult of the Curator by Ashley Crawford
COVER FEATURE
JOHN FIRTH-SMITH by Judith Pugh, photography by Stephen Oxenbury
PROFILES
FIONA MCMONAGLE by Lucy Stranger
ZOE YOUNG by Bridget Macleod
ANNA PLATTEN by Fulvia Mantelli
ROBERT BESANKO by Kon Gouriotis
JOE FROST by Georgina Cole
MICAHEL BUZZACOTT by Sonia Legge
DEBRA DAWES by Kon Gouriotis
PREVIEW
Preview: Mami Kataoka’s Biennale of Sydney, by Michael Young
Archive: James Doolin, by Paul McGillick
Project: Mai Nguyen-Long’s Vietnamese residencies
Process: George Tilianakis
Process: Chase Archer
Preview: The National, by Melissa Pesa
View Australia
Discovery: Martin George
Through a complex and nuanced investigation of movement and time, the photographic work of U.S. still-and-moving image artist Sam Contis, seductively unfolds across distinct landscapes....
The year 2024 is a special year as Australia somewhat confidently readies for the approaching Olympic Games in Paris. The national society feels it has...
You studied with the Polish born painter, Professor Maximilian Feuerring from 1956 to 1959. Was that at an art school? I was eighteen and I...
Presenting an eighty-year art history of sixteen east Arnhem Land Yolngu clans represented by the Yirrkala Art Centre Buku Larrnggay Mulka, it recalls the Art...
Divided into ten thematic sections, the curatorial brief (according to the NGV’s online publicity) is to place “emphasis on the thoughts and observations of the...
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A stone I died and rose again; A plant I died and rose an animal; I died an animal and was born a man. Why...
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Cormican-Jones is often away from home, the practical realities of her artmaking. After graduating in 2022 with first-class honours from Sydney College of the Arts,...