Issue 35
Fascinated with how we fit and exist in the world, we ask our cover artist Lindy Lee why her years of focus in Zen Buddhism is pushing new and exciting scales with her latest work. Discover how Sara Morawetz’s Mars durational performance disrupted systems in New York. Be inspired by Raymond Arnold’s 50 year devotion to Western Tasmania. We also get up close with Victoria Reichelt’s paradoxical world.
ISSUE
END OF AN ERA: 2016 Melbourne Art Fair Cancelled
by Michael Young
COVER FEATURE
LINDY LEE by Lucy Stranger, photography by Roger D’Souza
PROFILES
TEELAH GEORGE by Ted Snell
HEATH FRANCO by Abigail Moncrieff
ANN THOMSON by Bridget Macleod
VICTORIA REICHELT by Kon Gouriotis
PAUL RYAN by Steve Lopes
RAYMOND ARNOLD by Anna Johnson
CHRIS DYSON by Judith Pugh
GEOFF DIXON by Bridget Macleod
ANNETTE BEZOR by Sara Sweet
PREVIEW
Essay: Drawn Together, by Prue Gibson
Project: Sara Morawetz, by Macushla Robinson
Essay: Sydney Modern, AGNSW at risk, by Joe Kinsela
Archive: John Peter Russell, by Marianne Margin
Process: Welcome to Pyongyang, by Lachie Hinton
Process: Kim Guthrie
Process: Susan Wald
Process: Matthew Clarke
Review: Margaret Loy Pula, by Kon Gouriotis
View Australia
Discovery: Nicole O’Loughlin
Australia’s addiction to art prizes is difficult to comprehend. To the best of my knowledge, Australia has more art prizes per head of population than...
The measure of how much I enjoyed this book is that as I was reading it I was also compiling my list of Top Ten Books...
Australian art history still holds many gaps. The life and work of John Joseph Wardell Power (1881–1943) is one of them. Curated by Ann Stephen,...
Mitch Cairns: Restless Legs was commissioned for the Contemporary Projects series at the Art Gallery of New South Wales in Sydney, where it was first...
Pulse, the title of his current exhibition at Utopia Art Sydney, alludes to the rhythmic equilibrium of parts that has long characterised his work. As...
Visiting Venice in late June, once the champagne flutes have emptied and the holders of “professional” badges have flown home, offers a different kind of...
The curator Con Gerakaris’s considered arrangement of diverse works conjures the distinctive cultural and physical topographies of Asia. Entering A Tear in the Fabric, the...
Walking into Anna Johnson’s studio is like passing through a portal into another world: a flight of rickety wooden stairs leads to the top floor...
After winning the Fishers Ghost Open Art Award last year for her epic video installation Margaret and the Grey Mare, 2023, opportunities across the theatre,...