Hayden Fowler
A photographic exhibition tracing performance artist Hayden Fowler’s tattooed history of New Zealand’s many bird extinctions is a beautiful silent protest against ecological destruction.
Hayden Fowler’s Your Death is a new photographic series documenting an ongoing performance project in which the artist submits his own body in a poignant remembrance of New Zealand’s catastrophic bird extinctions. Over three sessions during Sydney’s Art Month in March this year, in a street-front window, Fowler’s torso was tattooed with an image of the South Island Kkako – last sighted in 1967 and officially declared extinct in 2004.
In June 2014 the project was undertaken in Berlin, where the extinct Whekau, or Laughing Owl, was tattooed in flight across his chest, commemorating the 100th anniversary of its disappearance. Each event was choreographed over three sessions, irreversibly transforming Fowler’s skin into a conjunction of living bodies.
Your Death continues a project the artist began in Auckland in 2007, where images of the lost Huia were etched onto his back in a high street shop window. His imagery has been pieced together from 19th-century watercolours, fragmented descriptions, early black and white photographs and taxidermy specimens. For Fowler, these representations symbolise the pervasive and tangible absences in the landscape.
Hunting, museum collection, the introduction of mammals and the industrial destruction of vast areas of ancient forests resulted in New Zealand losing half of all its terrestrial bird species. Many of those remaining exist as a type of living dead in tiny, isolated colonies on remote offshore islands. The remnant mainland forests are all but silent.
As with any wearing of mourning, Fowler’s is an acknowledgement of absence and loss. The destruction of entire species and whole ecosystems, however, is an event of such significance that the mourning can never be fully completed, the empty spaces never filled. In submitting himself to be tattooed, Fowler sacrifices his own body in a ritual of both repentance and resurrection. The white, geodesic set-construction in which the tattooing takes place, prophesies a sterile future as increasing numbers of species follow the Huia, Whekau and Kokako into oblivion, but also hope, as these birds somehow find a way back through the cracks of human cultural history and time.
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
EXHIBITION
Your Death
Gallery 9
3-27 June 2015
Images courtesy the artist and Gallery 9
One Trackback
[…] Artist Profile Issue 31 pp 130 – 132 | Click the image to read the ONLINE ARTICLE. […]
Bathurst has inspired the exhibition yet it’s not an exhibition about Bathurst. My mum grew up there. My grandparents and uncle had a farm there,...
The typical arc of a mid-career retrospective exhibition is that of an artist arriving at a fully formed artistic style. But this major exhibition is...
It’s not as though the national attitude toward acts of terrorism was more permissive in the past. Thank you very much, 2006, in which footage...
When viewing the website of glass artist Nick Mount, the visitor will find the usual content headings, with the exception of “About us” which offers...
What sets us apart from other creatures is our ability to communicate using a series of vocal symbols. As the distinguish British archaeologist Colin Renfrew...
Teo Treloar was twenty-six when he decided to apply to Sydney College of the Arts (SCA), the University of Sydney. He graduated with a bachelor...
The Hunt extends the artist’s practice of beautifully composed photographic images evoking colonial perceptions of the Australian landscape into a series that more directly engages...
The Tank, located in the northern extension of the Art Gallery of NSW, was originally an underground oil reservoir used during the Second World War....
An African folktale was told to Jenny Orchard as a child, in which a woman follows an impossibly beautiful man into a forest. Against his...