Grace Cossington Smith Art Award
Entries are invited to Australian residents for a national acquisitive contemporary art prize. The $15,000 Grace Cossington Smith art award winner and finalists’ artworks will be displayed at the Grace Cossington Smith Gallery at Abbotsleigh, Wahroonga from 2 October 2014.
The Selection panel: artist Janet Laurence and curator Nicholas Tsoutas The Judge: Rachel Kent, Chief Curator, Museum of Contemporary Art Sydney The winner receives $15,000 and finalists will each be awarded $1,000. The award is sponsored by Abbotsleigh and commemorates one of its alumni, Grace Cossington Smith, who is known as a pioneer of modernist painting in Australia. Artists are invited to submit original two dimensional artworks that reflect the theme of Making Connections. The cost of entry is $50 for up to three submitted artworks. One winning entry will form part of the permanent collection of Abbotsleigh’s Grace Cossington Smith Gallery. Artists are encouraged to enter up to three artworks as all three works may be included in the exhibition of finalists. Art Award and Entry Requirements
To Submit Your Entry:
To complete an online entry form, you will need a username and password. When you click the link below, use the following details:
User name: abss\artaward
Password: prize2014
Click here to submit your entry
Contact GCS Gallery 94737878 with any queries.
Key dates
Period in which work must have been completed: August 2013 to August 2014 Artists must have been a resident of Australia/New Zealand: August 2013 to August 2014 Submission of entry applications and fee: 1 May to 5 pm 15 August 2014 Finalists notified, email, phone and website: 15 September 2014 Finalists’ artworks delivered to the GCS Gallery: 22 to 27 September 2014 Announcement of winner: 2 October 2014 Grace Cossington Smith art award 2014 exhibition: 2 to 25 October 2014


The curator Con Gerakaris’s considered arrangement of diverse works conjures the distinctive cultural and physical topographies of Asia. Entering A Tear in the Fabric, the...
Walking into Anna Johnson’s studio is like passing through a portal into another world: a flight of rickety wooden stairs leads to the top floor...
After winning the Fishers Ghost Open Art Award last year for her epic video installation Margaret and the Grey Mare, 2023, opportunities across the theatre,...
Co-curators and longtime friends Helen Hyatt-Johnston, Brad Buckley, and Noel Thurgate and Gallery Curator Lizzy Galloway, selected the Buddha from Harpur’s extensive collection of Ch’an...
William Kentridge’s Self-Portrait as a Coffee-Pot opens with the artist pacing back and forth against the backdrop of his studio, with remnants of a sketch...
To commemorate fifty years since the invasion, Savvas travelled to Cyprus to video her walk from her mother’s home in Kaimakli, Nicosia, to her father’s...
National museums serve as custodians of collective memory. They preserve, interpret, and present stories that shape a nation’s cultural identity. The National Museum of Australia...
The two-and-a half-kilogram catalogue for the Dangerously Modern exhibition, set inside its pink, gossamer carry bag, is the perfect metaphor for this exhibition at the...
As an Italian immigrant, who came to Australia as a young boy, Zofrea’s understanding and connection with the Australian landscape has been a lifelong journey....