Eleanor Louise Butt talks about the ways in which her works ‘speak’ to each other, conversing and sharing expressions across multiple planes until a melody...
Intrinsic to Nyapanyapa Yunupingu's practice is her innovative media and highly individual painterly expression that she describes as ‘mayilimiriw’ – meaningless.
As we enter lockdown again on the Northern Beaches, Alana Wilson’s work inspires us to look closer at nature and our immediate surroundings.
Claire Healy and Sean Cordeiro have, for twenty years, ambushed global notions of normality...
A Wiradjuri woman living in regional New South Wales, Karla Dickens is known for her often provocative reflections on Australian culture, past and present.
Judy Watson’s contemplative, original, seductive art exposes suppressed histories.
Amos Gebhardt’s immersive multi-channel video works offer affective moments of exchange between viewer and artwork.
The exhibition ‘Destiny’ surveys an impactful body of work by Australian artist and activist Destiny Deacon.
Simon Finn’s practice has always oscillated between zones of sheer beauty and utter entropy.
At the time of my interview with Gary Carsley, events are unusually upended...
Chris Langlois has been painting dreamy, abstract landscapes for almost thirty years. His canvases reveal the magic of a horizon as the colours and light...
Be prepared to be dazzled by Linda Marrinon. She’s an artist whose work is honest, considered and multi-levelled
There’s an intuitive sensibility in the way June Tupicoff has approached her art-making.
In Issue 44, we visit the fascinating studio of Melbourne artist Oscar Perry
For the Los Angeles-based Australian artist Anna Carey, architecture and photography serve as partial means to an end...
McLean Edwards’ paintings are a form of portraiture he calls ‘emotional larceny’.
Sally M Nangala Mulda’s depiction of her biographical truths in paint are a long way from the seductive romance of much regional Aboriginal art
Joyce Campbell’s interdisciplinary practice challenges the conventions and limitations of landscape representation.
Underwater ruins and antiquated atlases form sites of inspiration for Polish-born Australian artist Izabela Pluta.
Billy Bain is an emerging artist who explores the medium of clay alongside painting and printmaking to unpack ideologies surrounding Australian masculinity
Jude Rae works in conversation with space and light, playing with the eye of the viewer as her works shift and coalesce between representation and abstraction.
ARTIST PROFILE speaks to Joanna Braithwaite in her Sydney studio about all that drives and inspires her.
Harrie Fasher’s bronze and steel equine forms evoke the human vulnerabilities of life, death, struggle and war.
Patricia Piccinini divides opinions with her hand-crafted hybrid objects that dissolve notions of pure entities or borders having ever existed.