Widely known since the 1980s as a painter, Peter Cooley has now spent a little over a decade committed to his ceramic practice.
He describes his paintings as being moments of “clarity, suspended in time and space, projected upon an emotive, urban landscape.” These urban scapes have a...
George Baldessin was integral to the dynamic revival of printmaking in Melbourne during the late 1960s and into the ‘70s.
One afternoon towards the end of his 1989 exhibition, everything changed. I remember where I was standing when it happened. I’d never experienced anything like...
Darren McDonald explains his challenges and limitations as well as his influences and inspirations that have shaped his art practice.
Guo Jian discusses the paintings inspired by his time in China’s military that reveal the contradictions behind the country’s propaganda machine.
Masses of Monarch butterflies on their annual migrations charged Rhonda Dee's lifelong fascination with metamorphosis, escape, migration, and transitional states of being.
Memories of the Northern Territory's remote landscape still provide reference for Max Berry's escapist paintings and sculptural works.
Thomson’s new works are the slow-release outcome of a 2011 voyage on HMNZS Otago to the Kermadec waters, north of New Zealand.
We chat to Artistic Director Juliana Engberg about her inspirations, ideas and what to expect from this year’s event.
