For thirty years, Lisa Roet’s work has been about primates and the environment we share; about global politics, ignorance, hatred, and personal connection.
‘Now more than ever I want to create a visceral bond, a connection between the viewer and our sublime Australian landscape.’
For the Los Angeles-based Australian artist Anna Carey, architecture and photography serve as partial means to an end...
George Gittoes and Hellen Rose have been given the keys to The Surf Shack for stage an interactive exhibition before the shack is demolished.
Sally M Nangala Mulda’s depiction of her biographical truths in paint are a long way from the seductive romance of much regional Aboriginal art
Michael Taylor's expressionist compositions speak of an extraordinary intensity and energy maintained over a long and prolific oeuvre.
Joyce Campbell’s interdisciplinary practice challenges the conventions and limitations of landscape representation.
Hiromi Tango’s creative mission is to promote healing through her work.
For more than three decades, Michael McHugh has been exploring the vase potential of colour, composition and abstract form with an inquisitive emphasis on the...
Billy Bain is an emerging artist who explores the medium of clay alongside painting and printmaking to unpack ideologies surrounding Australian masculinity
Jude Rae works in conversation with space and light, playing with the eye of the viewer as her works shift and coalesce between representation and abstraction.
In his new body of works, Drew Pettifer interrogates the beginning of Australia’s queer history.
ARTIST PROFILE speaks to Joanna Braithwaite in her Sydney studio about all that drives and inspires her.
Erin McFadyen discusses the problematics and progressions of the nude in contemporary painting.
‘Portrait Project’ comes at a critical time when we are searching for a way to connect with each other.
This year, the exhibition of Australia’s longest running Indigenous art awards is entirely viewable online.
With hand and thread, Teelah George chisels open apertures between materiality and the immaterial.
Patricia Piccinini divides opinions with her hand-crafted hybrid objects that dissolve notions of pure entities or borders having ever existed.
Walcha artist Angus Nivison discusses painting three portraits of gallerist, collector and benefactor Chandler ‘Channy’ Coventry AM (1924–99).
Madeleine Pfull writes about her painting process – which involves imagining and imaging herself in future form.
Clifford How’s ‘Antipodean Light’ invites viewers on a solitary traverse across Tasmania’s north-western alpine wilds.
There is a strong physical energy that comes through in Neil Frazer’s paintings that reflects not just their creation but also the process behind the...
