The art critic Harold Rosenberg (1906–78) asserted that “A painting that is an act is inseparable from the biography of the artist.” He continued, “The...
Museums and galleries often attempt to decolonise their collections and embrace diversity, equity and accessibility by ditching the elevated status of the artist. Yet artist...
Kaldor Public Art Project 38 is in the Naala Badu building (the term for “seeing waters” in the Gadigal language). Demand, as it happens, has...
Australia’s addiction to art prizes is difficult to comprehend. To the best of my knowledge, Australia has more art prizes per head of population than...
The measure of how much I enjoyed this book is that as I was reading it I was also compiling my list of Top Ten Books...
Australian art history still holds many gaps. The life and work of John Joseph Wardell Power (1881–1943) is one of them. Curated by Ann Stephen,...
Mitch Cairns: Restless Legs was commissioned for the Contemporary Projects series at the Art Gallery of New South Wales in Sydney, where it was first...
Pulse, the title of his current exhibition at Utopia Art Sydney, alludes to the rhythmic equilibrium of parts that has long characterised his work. As...
Visiting Venice in late June, once the champagne flutes have emptied and the holders of “professional” badges have flown home, offers a different kind of...
The curator Con Gerakaris’s considered arrangement of diverse works conjures the distinctive cultural and physical topographies of Asia. Entering A Tear in the Fabric, the...
Walking into Anna Johnson’s studio is like passing through a portal into another world: a flight of rickety wooden stairs leads to the top floor...
After winning the Fishers Ghost Open Art Award last year for her epic video installation Margaret and the Grey Mare, 2023, opportunities across the theatre,...
Co-curators and longtime friends Helen Hyatt-Johnston, Brad Buckley, and Noel Thurgate and Gallery Curator Lizzy Galloway, selected the Buddha from Harpur’s extensive collection of Ch’an...
William Kentridge’s Self-Portrait as a Coffee-Pot opens with the artist pacing back and forth against the backdrop of his studio, with remnants of a sketch...
To commemorate fifty years since the invasion, Savvas travelled to Cyprus to video her walk from her mother’s home in Kaimakli, Nicosia, to her father’s...
National museums serve as custodians of collective memory. They preserve, interpret, and present stories that shape a nation’s cultural identity. The National Museum of Australia...
The two-and-a half-kilogram catalogue for the Dangerously Modern exhibition, set inside its pink, gossamer carry bag, is the perfect metaphor for this exhibition at the...
As an Italian immigrant, who came to Australia as a young boy, Zofrea’s understanding and connection with the Australian landscape has been a lifelong journey....
For a short time in the early seventies, boring old Sydney Town had a place to go that fitted Bruce’s vision. After living and successfully...
The Wama Foundation has nurtured significant momentum for its ambitious NCEA project over the past decade. In 2015 the foundation engaged Jan van Schaik, co-founder...
At his Leichhardt studio, Mason Kimber shows me a cache of photographs taken of a Perth nightclub, owned by Kimber’s father, in the 1980s and...
Through a complex and nuanced investigation of movement and time, the photographic work of U.S. still-and-moving image artist Sam Contis, seductively unfolds across distinct landscapes....
The year 2024 is a special year as Australia somewhat confidently readies for the approaching Olympic Games in Paris. The national society feels it has...
You studied with the Polish born painter, Professor Maximilian Feuerring from 1956 to 1959. Was that at an art school? I was eighteen and I...
Presenting an eighty-year art history of sixteen east Arnhem Land Yolngu clans represented by the Yirrkala Art Centre Buku Larrnggay Mulka, it recalls the Art...
