Peaks and Valleys
The landscapes of China, from its startling peaks and valleys to the awe inspiring presence of its mountains has long inspired painters, artists and scholars.
Carrying on from the tradition of the literati and classical painters, contemporary artists Steve Lopes, Tim Allen and Dapeng Liu visited China earlier this year, responding to the serene landscapes of Yellow Mountain (Mount Huangshan) and the dramatic soaring skyscrapers of Hong Kong’s urban skyline.
Each markedly different in technique and style, the artists present three diverse and revelatory views, resulting in an exhibition that explores the tensions of change within the wild and urban landscapes of China.
Steve Lopes remarked about the impact of the scenery on his practice, responding to the unique colours of Yellow Mountain that pushed his palette.
“Huangshan had a very special reflective quality,” Steve said. “The scenery was spectacular, with muted greys, beautiful warm colours and blue skies. It was fantastic to follow in the footsteps of the many great Chinese artists who have worked at the top of these mountains,” stated Lopes.
Tim Allen is known for his paintings of rock formations and mountains in Australia, however the landscapes of China inspired new results within his practice.
On his experience Allen commented, “I loved every minute of painting in China and Hong Kong,” Tim said. “I developed new colour palettes, and used the push and pull of mark making to portray the mountains and mist; combining expressionism with stillness and contemplation.”
Physically immersing themselves in both the wilderness and the urban, the artists painted en plein air, hiking their painting materials into the mountains and then into the bustling city of Hong Kong.
Dapeng Liu combined his experiences of Hong Kong and Yellow Mountains, stretching his practice to pull the geographically different and distant places together in a union that defied rules of time and space.
“Standing in front of Huangshan’s famous sea of clouds, with the tips of the mountains emerging, I thought of Hong Kong with the buildings emerging from the fog,” Dapeng said. “It was then I had the idea to blend Huangshan and Hong Kong on canvas.
The result? An exhibition that celebrates both contemporary landscape of China – from its enigmatic peaks to the hustle and bustle of the urban valleys.
EXHIBITION
Peaks and Valleys
25 November – 19 December
Nock Art Gallery, Hong Kong
Courtesy the artists and Nock Art Gallery, Hong Kong.


Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...