John Wolseley: Land Marks III
This beautifully collated hard cover edition is an expansive survey of Wolseley’s practice and ongoing relationship with the Australian environment. Introducing Wolseley’s fascination, Sasha Grishin begins with an in-depth historical account of man’s challenging relationship with the wilderness in the attempt to illustrate, capture and evoke its true nature. As if on an artistic campaign, Wolseley immerses himself in the bush, breaking down the barriers between artist and nature.
Combining visual analysis and historical background, Sasha Grishin acts as the reader’s guide, analysing and piecing together Wolseley’s expansive practice. Including sketches and quasi scientific observations from his notebooks, Grishin invites you to get lost in the artistic wanderings of his practice. It is a careful balance of analysis by the author, while not losing the artist’s voice. Full-bleed images and up-close details of his works complement this biography of Wolseley’s life.
It is hard not to get swept up in the artist’s enduring passion as he goes walkabout in the bush. Marking him as artist, explorer and cartographer, there is no single description to understand Wolseley’s practice. Both the artist and Grishin shed light on his intrepid search for a language in which to express the wild beauty of the Australian landscape.
Author: Sasha Grishin
Publisher: Thames & Hudson
RRP: $80



Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...