Issue 31
This issue breaks from convention as we feature two artists – Guy Maestri and Luke Sciberras. These two artists are not collaborators, but the very best of mates. Other features include an interview with landmark South African photographer, Roger Ballenm, as well as features on Louisa Chircop, Leslie Rice and Angus Mcdonald. New York based writer Paul Flynn rounds up exhibitions on the East Coast, USA, and Trevor Weekes writes on the longevity of art works. Look forward to extended book reviews, previews, and whats on around the country in View Australia.
NEWS
The highlights of Art Month this March
BLUT + BODEN – Gunter Christmann
UPFRONT
Signs of the times by Lucy Stranger
COVER FEATURE
LUKE SCIBERRAS & GUY MAESTRI by Elizabeth Fortescue, photography by Daniel Shipp
PROFILES
LOUISA CHIRCOP by Lucy Stranger
VERA MÖLLER by Jane O’Sullivan
ROGER BALLEN by Bridget Macleod
KYLIE STILLMAN by Owen Craven
STIEG PERSSON by Kent Wilson
ANGUS MCDONALD by Katy Preston
LESLIE RICE by Anna Madeleine
PREVIEW
Should artworks last forever? by Trevor Weekes
Madness, poetry and portraits by Paul Flynn
ART-maker, patron, lover by Owen Craven
Steal like an artist by AJ Edwards
33 artists in 3 acts by Charles P Patton
Process: Anh Do
Process: Jessica B Watson
Process: Hayden Fowler
Subscriptions
Preview: David Lynch
Preview: Imagining Ned Kelly
Preview: James Turrell
Preview: Go East
View Australia
Discovery: Jasmine Targett
It was early in 1989 when I decided to head down to the South Coast, taking the Princes Highway from Sydney to Shoalhaven, to visit...
Gartside, a Melbourne-based artist, won the $25,000 prize for her work #19, part of her ongoing series, Bunnies in Love, Lust and Longing, 2024, that anthropomorphizes...
As galleries from across Australia, New Zealand, and much further afield were setting up their stalls with the works of over 400 contemporary artists within...
First impressions are formed within seconds of meeting someone. You judge them—and just as quickly, they judge you. These impressions are determined by mannerisms, facial...
Drendel eschews a nostalgic view of rural life and the vivid experiences associated with his youth, recreating the low horizon line and flat plains of...
The Roslyn Oxley9 Gallery’s booth of carefully curated works at Sydney Contemporary 2024 is drawn from their archive, which includes key historical moments, over the...
At Sydney Contemporary 2024, OLSEN Gallery will present new work from Leila Jeffreys, Shirley Purdie, Holly Greenwood, Eliza Gosse, and Dani McKenzie—five women whose work...
On the rugged northwest coast of Lutruwita | Tasmania, nestled near the leafy Fern Glade Reserve and the winding Emu River, you will find the...
The title of Joshua Yeldham’s exhibition, Broken Head, comes from a moment of tragedy. After labouring for months on a large ceramic head, a moment...