Issue 26
| June 2, 2014
Fiona Lowry’s contemporary landscape paintings are portraits of Australia’s history and its collective psyche. We hear about her latest work to be shown in the Adelaide Biennial of Australia Art. Also, an exclusive interview with the Biennale of Sydney’s Artistic Director reveals what’s on offer when the exhibition opens this month.
Biennale of Sydney Special Edition
Featuring
Fiona Lowry
Mike Parr
Tv Moore
Rhonda Dee
Penny Coss + Penny Bovell
Guo Jian
Tim Allen
Vipoo Srivilasa
Also Inside
Louise Hearman on Influence
Melbourne Now
George Johnson
Plus Essays, Reviews, News
Around the Grounds by Glenn Barkley
Bell Brown: Wanderlust by Laura Fisher
A Creative Mind by Trevor Weekes
Juliana Engberg in Conversation by Jillian Grant
Helen Gory
Alexander James
Zadok Ben-David
Bern Emmerichs
Tommy Watson
Robert Malherbe :: by Aj Edwards
Adelaide Biennial :: by Owen Craven
Ian Strange :: by Melissa Pesa
Camille Serisier :: Discovery
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...
(for Michael Petchkovsky) You passed so quickly, it pulled the oxygen out of the air Drawing sorrow in behind you, like a myst Burning...
While most of Hobart is asleep, Maggie May Jeffries is crawling around in her backyard nasturtiums with a torch, finding inspiration in the intricate details...
i make it so that that every place i live is my home so i put my bed on the wall closest...
after Gbenga Adesina The first text message was sent as the year closed. Before that, red-faced men stood and demanded translation. They wanted us...
Evie Adasal always wanted to paint, but she hesitated. “I graduated from art school in the ‘90s in photography and film,” she recalls. “When I...
Frank was born in Singleton, New South Wales in 1959, and has been represented by Roslyn Oxley9 since 1982—a relationship that spans more than four...
Standing before a luminous artificial sun or walking through rainfall inside a gallery, audiences might mistake spectacle for Olafur Eliasson’s primary concern. Yet, beneath the...
The exhibition unfolds as an ode to Country, grounded in careful engagement with land and the ongoing presence of First Nations custodians. Slee returns, in...