Issue 22
| March 5, 2013
Ben Quilty paints like there’s no tomorrow. In an exclusive profile for the cover feature of Issue 22, we speak with Quilty about his studio and creative life after his Afghanistan tour as Australia’s official war artist. In a revealing and intimate interview, Quilty talks of his motivations and ambitions as a painter and for the Australian cultural landscape. Also in the issue, Andrew Browne talks to us about his cinematic-like paintings that portray the sometimes invisible edges of society; and Destiny Deacon whose photographic work speaks strongly for contemporary indigenous concerns. Plus many more artist studio visits, essays, opinions and reviews from around the country…
Featuring
Ben Quilty
Destiny Deacon
Andrew Browne
Also Inside
Rochelle Haley
Mitch Cairns
Helen Pynor
Dave Teer
Kiki Smith
Christopher Hodges
Plus Essays, Reviews, News
South by No North :: by Glenn Barkley
Art & Social Media :: by Paul Flynn
Out & About in India :: by Owen Craven
Xin Junquin & Ian Howard
Anne Ross
Stuart Watters
Eric Lobbecke
Rebecca Hastings
Friends with You :: Mclemoi Gallery
Indicate :: Gippsland Regional Art Gallery
Speculative Spaces :: Robin Gibson Gallery
Phil James :: Discovery
Bathurst has inspired the exhibition yet it’s not an exhibition about Bathurst. My mum grew up there. My grandparents and uncle had a farm there,...
The typical arc of a mid-career retrospective exhibition is that of an artist arriving at a fully formed artistic style. But this major exhibition is...
It’s not as though the national attitude toward acts of terrorism was more permissive in the past. Thank you very much, 2006, in which footage...
When viewing the website of glass artist Nick Mount, the visitor will find the usual content headings, with the exception of “About us” which offers...
What sets us apart from other creatures is our ability to communicate using a series of vocal symbols. As the distinguish British archaeologist Colin Renfrew...
Teo Treloar was twenty-six when he decided to apply to Sydney College of the Arts (SCA), the University of Sydney. He graduated with a bachelor...
The Hunt extends the artist’s practice of beautifully composed photographic images evoking colonial perceptions of the Australian landscape into a series that more directly engages...
The Tank, located in the northern extension of the Art Gallery of NSW, was originally an underground oil reservoir used during the Second World War....
An African folktale was told to Jenny Orchard as a child, in which a woman follows an impossibly beautiful man into a forest. Against his...