Hermannsburg Potters: Aranda Artists of Central Australia
This book reveals the true story behind the wonderful work of the Hermannsburg Potters, detailing the history behind this pottery community situated smack bang in the middle of the desert, in central Australia.
At Hermannsburg, the Aranda potters have established a modern, vibrant and highly original form of ceramic art that draws on many influences, while strongly reflecting the distinctive visual culture of the region. With tales of its establishment, this well-illustrated book gives the reader an engaging insight into this creative indigenous community.
Author Jennifer Isaacs, who has published widely on the indigenous people of central Australia, explores craft traditions and the important influence of Albert Namatjira and his followers on these ceramic artists. The book has been out for a number of years, but is still well worth checking out. It is beautifully produced and deals with an important group who have been a source of inspiration for many contemporary artists.
Author: Jennifer Isaacs
Publisher: Craftsman House
RRP: $78.95
Skilfully assimilating secondary sources throughout Paris in Ruins, Smee at the conclusion of Part One, “Salon of 1869,” writes that Auguste Renoir’s and Claude Monet’s...
Multidisciplinary artist Shireen Taweel looks skyward, into the night and beyond, with her exhibition the trig point. Drawing on fieldwork in 2025 at the Siding...
It was back in 2011 that Pip Wallis, senior curator at the Monash University Museum of Art (MUMA), remembers first seeing the work of Balinese...
Senior Pitjantjatjara artist, Tuppy Ngintja Goodwin, was born in 1952 near Bumbali Creek in the Northern Territory, close to the border with South Australia; daughter...
For those of us who seek out unfamiliar voices and see the potential for diverse cultures to create new meanings and memories in a postcolonial...
Show me the beauty of a body contorted by thrall. Then, show me the thrall. Shame is a vast word....
Kon Gouriotis: How did you come to be working with the Yinhawangka community? Pedram Khosronejad: My journey to working with the Yinhawangka community has...
The Art Gallery of South Australia’s (AGSA) Adelaide Biennial of Australian Art has seen real competition over the past two decades, as other institutions have...
Michael Vale views colonialism as the elephant in the room when it comes to Australian history and Australian art. He observes that through a strange...