Emma Walker’s paintings have the rare quality of stirring feelings of vague recollection within the subliminal mind.
To encounter Meagan Streader’s work is to experience the phenomenon of light, not just as a series of wavelengths that bounce off surfaces to reveal...
David Hayes will tell you himself that he is just a middle-aged white guy painting the human condition. That’s certainly not a throwaway line. He...
In Issue 42, Bridget Macleod spoke to Franck Gohier as he prepared for his exhibition at the Museum and Art Gallery of the Northern Territory....
Paul Selwood is one of Australia’s foremost sculptors, creating fluid, complex works, often from a single sheet of steel.
A Great-Grandchild caressing the hands of her Great-Grandmother, reveals a life journey of profound strength and resistance to the cruelty and burden of colonial history,...
Over coffee and lamingtons (everyday suburban fare appropriate to the source material of much of her work) we discuss, in no particular order, flies, trompe...
Chris Dyson has spent the better part of fifty years producing a prolific body of work, including drawings, paintings, and sculptures. However, there is scant...
For Sydney-based, Auckland-born artist Michael McHugh his colourful paintings are informed by the reordering of plant form DNA; he undertakes extensive research in the field...
In his small studio located in a garage on the Illawarra escarpment, Christopher Zanko has temporarily set aside his wood-cut tools and brushes. His exhibition...
Such ignorance was symptomatic and systemic. In the introduction to his 2019 book The New Zealand Wars | Ngā Pakanga O Aotearoa, Vincent O’Malley writes:...
“I’ve only realised this within the past decade or so,” he continues, “but looking back, that’s really what it’s been the whole time.” Meade intuitively...
Kain migrated with her family from India to Australia in 1993, and during her childhood was shielded from the weight of the Indian caste system....
This year marks twenty years since artist John R Walker, moved to Braidwood in rural New South Wales. It’s also the thirty-fifth anniversary of Utopia...
Louella Hayes interviewed Lincoln Austin for issue 43 of Artist Profile in 2018. Lincoln Austin’s artworks invite their audience to experience a vivid world of optical confusion....
The word “freedom” is at the centre of humanity – to be human is to be free, to relate to others, spaces, and places without...
Time is central to the art of Lyndal Jones. Working with durational practice, her installations include video, performance, theatre, dance, photography, and sound. Encounters with...
Tricky Walsh appears on my laptop screen, their voice slightly distorted as we converse over distance through a shaky network from one regional part of...
Renee So’s faces don’t often have all their features. Some have noses, but her early busts and knitted paintings often have mouths grown over by...
Trevor Vickers has been working in abstraction for more than five decades, importing constructed visualisations onto canvas, offering ways of how the world can be...
HOSSEI doesn’t always want to know what his work is about, “For me, it’s more about a feeling, and I want you to feel something...
“I have lived on or in proximity to Ngunnawal country most of my life, but I know that I will never have the detailed knowledge...
Fiona Somerville was born in Adelaide, where nineteenth century European settlers built a stately colonial city on the fertile coastal plain, surrounding it with a...
Congratulations on winning the Packing Room Prize in the Hadley’s Art Prize. Can you tell me more about your work and the significance of its...
1970, the year Adam Hill was born, was a turbulent time of great change. It was time of the beginning of the Papunya Tula dot-...
