Katherine Hattam’s Melbourne house and studio sing with her paintings, in clear, bright sharply defined colours.
The sweep of this exhibition, from a curatorial perspective, seems to capture so much: a multi-layered topic, and both local practitioners and “big names.” How...
“I suppose it all started when my mother committed suicide, when I was five.” John speaks deeply, slowly, every word heavy with the weight of a...
Coinciding with Sydney WorldPride 2023 and the Sydney Gay and Lesbian Mardi Gras, QUEER CONTEMPORARY 2023 comprises two major exhibitions, a suite of public programs,...
Ryan Presley’s work is full of symbolism, but I also like to think of it as testing the line between iconography and insignia, directing viewers...
Recently, I read an acquaintance’s reflection that the condition of embodiment is almost always embarrassment, shame, or discomfort of some kind. In Western, (post)Christian cultures...
Noakes captures light with his hammer. He raises extraordinary three-dimensional objects from flat sheets of metal, and the shifting patterns of marks left by his...
Desire lines are the ultimate unbiased interpretation of natural human and animal intent – referring to tracks worn across grassy patches that generally represent the...
Throughout the summer, Sydney’s Carriageworks is host to Arrernte and Kalkadoon artist Thea Anamara Perkins’s Stockwoman, 2022. The mural, with two component parts, wraps around...
The exhibition takes its name from a quote from LeWitt, where he professed “a great affinity” for the works of Emily Kame Kngwarreye, while the...
Joe Furlonger was born in Cairns in 1952. He grew up in the rural (now semi-rural) Samford Valley near Brisbane. As an adult he worked...
In Koops’s Double Binds #10, 2022, traces of oil paint are at once lyrical and jarringly inert. A creamy strip of what looks like fabric – maybe...
The Miniature Sculpture Show has hosted a staggering number of artists since its first iteration in 1996, held at the original Defiance Gallery premises in Newtown....
Here, Deborah Kelly’s collage characters are animated into ecstatic dance on the brink of political and environmental collapse. The Gods of Tiny Things was produced...
“A lot of humans forget we are organic entities, the same as every other creature on the planet, and we’ve only been here for a short...
For his recent exhibition, Peter Hudson: The mystery of being here, the University of the Sunshine Coast Art Gallery has assembled fifty paintings and drawings...
A crisp artificial sheen settles on the contours of Angelica Mesiti’s face as she gazes at her laptop screen in a windowless room strewn with...
Having always drawn on his travels, Macleod naturally gravitated to the Taronga Western Plains Zoo in Dubbo on return from a Broken Hill road trip...
By his own account, Weber grew up “in the midst of the plains of Minnesota, in a small town of about 30,000 people . ....
Melbourne artist Dean Bowen knows exactly when and why he decided to become a sculptor as well as a printmaker and painter. It was 1993,...
I am discussing Temple of Boom, this year’s NGV Architecture Commission, with Moore – who is the NGV Curator of Contemporary Design and Architecture. The seventh...
The title Plant Your Feet comes from a poem, Bloom, by poet, Gunai woman, Kirli Saunders: Plant your feet like roots next to mine. Bloom...
Your current exhibition with PICA, Las Hormigas/The Ants, includes work which audiences may have seen presented in different forms in a variety of contexts –...
I spoke with Vipoo Srivilasa about his upcoming exhibition at Olsen Gallery over beloved Zoom. The technology strongly embraced during the pandemic is not the only...
Work for this show has been devised in part while on residency at the Old Cheese Factory in Berwick. How did this space/place shape the...
